Poetry Explorer- Classic Contemporary Poetry: Explained, EZRA POUND'S PROPOSITION, by ROBERT HASS



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Classic and Contemporary Poetry: Explained

EZRA POUND'S PROPOSITION, by             Poet Analysis     Poet's Biography


In "Ezra Pound's Proposition," Robert Hass intricately weaves an exploration of beauty, sexuality, economics, and exploitation through the lens of Ezra Pound's poetic ideologies. The poem posits a causal chain: beauty is tied to sexuality, sexuality to fertility, and fertility to economics. This formula serves as a thematic backbone that the poem elaborates upon through a poignant narrative set in Bangkok.

The beginning lines set the stage, offering Ezra Pound's broad-scope ideas on beauty, sexuality, and economics. Pound is quickly disqualified as a financial advisor for poets, perhaps a nod to his own controversial and complicated life, but his spirit looms over the narrative as Hass delves into the gritty realities of modern capitalism and its impact on human lives.

We are transported to the thick heat of a Bangkok night, where a young girl approaches a man outside a posh hotel, a haunting embodiment of the intersection between beauty, sexuality, and economics. Her youthful allure becomes a commodity in a harsh economic landscape shaped by larger, often invisible, forces. The girl's proposition, "How about a party, big guy?", accentuates the somber undertone; her sexuality, a tragic circumstance of her environment, is leveraged for survival.

The poem then shifts to an examination of the systemic causes that drive this sexual commerce. Hass implicates international financial institutions like the World Bank and corporations in perpetuating cycles of poverty and exploitation. The dam, a symbol of industrial might and economic advancement, comes at a devastating human cost. It floods villages, displaces people, and leads vulnerable individuals like the young girl into the clutches of urban hardships and inevitable exploitation.

While Pound may argue that beauty is linked to sexuality and, in turn, fertility, Hass introduces an uncomfortable nuance-how economic considerations deform and exploit these very concepts. The dam's turbines may be "beautifully tooled," but they set in motion a cascade of events that turn young girls into "shimmering silver" in the harsh light of economic exploitation.

What is perhaps most striking is the image of the dam's bluish throb of light casting its glow on the young girl's "cheekbones and her lovely skin." Here, Hass explores the ambiguous, unsettling intersection of beauty and exploitation. The beauty illuminated by the dam's light is not free from the shackles of the brutal economic system that puts her on the streets in the first place. In this sense, the poem serves as a complex critique of Pound's oversimplified proposition, revealing how beauty, sexuality, and economics intertwine in intricate and often devastating ways.

The poem makes us ponder the ethics of beauty and the realities of economic inequality. It serves as a counter-narrative to Ezra Pound's idealized views, showing how something as pure as beauty can be tainted by the grim complexities of economic exploitation and systemic inequality


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