Poetry Explorer- Classic Contemporary Poetry: Explained, THE LION IN LOVE (FABLES OF LA FONTAINE, BOOK 4, 1), by MARIANNE MOORE



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Classic and Contemporary Poetry: Explained

THE LION IN LOVE (FABLES OF LA FONTAINE, BOOK 4, 1), by             Poet Analysis     Poet's Biography


Marianne Moore's rendition of Jean de La Fontaine's fable "The Lion in Love" presents readers with a tale imbued with multiple layers of meaning. The story centers on a lion smitten by a shepherdess and his futile pursuit of a seemingly improbable love. As in many of La Fontaine's fables, the narrative transcends the simplicity of its plot to engage with themes of desire, vulnerability, and the complexities of human (or in this case, animal) behavior.

The tale opens with the lion, emblematic of strength and power, being reduced to a state of subservience by the all-encompassing force of love. This is a recurring motif in fables and literature; love as a leveller of social and natural hierarchies, revealing the power dynamics that underpin relationships. Here, the lion willingly relinquishes his physical might-his teeth and claws-in an attempt to become more acceptable to his human love interest. However, this voluntary act of disarmament renders him vulnerable, leading to his ultimate downfall as the shepherdess's dogs overpower him.

Moore's version is particularly interesting for its framing as a letter to Mademoiselle de Sevigne, a 17th-century French writer. This adds a metatextual layer to the fable, implicating the reader in the tale's moral complexities. Love, according to the tale, is not merely an emotional state but also a strategic game, where every concession can have dire consequences.

In the broader historical and cultural context, this story echoes ideas about love, power, and social norms that were prevalent in the 17th-century French aristocracy. At that time, marriage was often more about social and economic gain than mutual affection. La Fontaine, and by extension Moore, seems to be commenting on the perils of surrendering one's autonomy for the elusive promise of love. The lion's mistake was not that he loved, but that he compromised his essential nature for that love, thus giving up the very qualities that defined him.

The fable also captures the essence of the double bind women often find themselves in, having to choose between societal expectations and personal desire. The shepherdess, although not explicitly voiced in the tale, is caught in a dilemma where her agency is subjected to the will of her father and the lion.

Moore's translation employs a formal, lyrical style that adds gravitas to the narrative. Her diction and phrasing, often archaic, serve to heighten the tension between the tale's surface simplicity and its underlying complexities. This lends the fable an air of timelessness, making it resonate with contemporary readers as much as it did with those of La Fontaine's era.

In conclusion, "The Lion in Love" is a deeply nuanced tale that explores the fragile interplay between love and power. It acts as a cautionary tale, warning readers of the potential pitfalls of compromising one's self in the pursuit of love while also highlighting the enduring human vulnerabilities that such narratives encapsulate. Whether one reads it as a simple moral lesson or a complex allegorical commentary, the fable's ability to provoke thought and discussion testifies to its enduring relevance.


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