Classic and Contemporary Poetry: Explained | ||||||||
Vallejo employs striking imagery to capture the essence of this suffering. He describes it as akin to "God's hatred," invoking a cosmic intensity and the daunting prospect of divine indifference or even malevolence. He speaks of the "undertow of all that is suffered" being dammed up in the soul, a vivid depiction of suppressed agony. These are not casual metaphors but poignant signifiers of existential weight, designed to make the reader pause and ponder the human condition. The metaphor of "the steeds of barbaric Attilas" and "the black messengers that death sends us" lends the poem an apocalyptic tone. Here, suffering is imagined as a horseman bringing chaos or a messenger heralding death, both agents of an undeniable fatalism. These "blows" serve as harbingers of some greater, more definitive end, as if they were not mere experiences in life but omens of some larger destiny. In a philosophical and religious sense, Vallejo touches upon the notion of the "backslidings of Christs of the soul," suggesting that these moments of anguish can feel like betrayals of one's deeply held beliefs. This allusion to Christ portrays suffering as not just physical but spiritual, invoking the idea that the depths of human pain can affect not just our bodies and minds, but our souls and the very tenets of our faith. This line encapsulates the existential doubt that often accompanies immense suffering- a crisis of faith where the individual feels "blasphemed by destiny." One of the most striking images in the poem is the analogy of the "cracklings / Of some bread that we have burned in the door of the oven." This image captures the idea that suffering often occurs at the cusp of hope or sustenance; the bread that could have been life-giving is burnt, symbolizing opportunities lost or hopes dashed. Vallejo closes the poem by discussing the existential crisis that such blows induce. The subject "turns his eyes," as though a secret cue has been given behind his back, but all he finds when he looks are "mad eyes" and a lifetime of experiences dammed up like a "puddle of blame." This highlights the introspective and sometimes self-blaming nature of suffering; when struck by blows we can't comprehend, we often turn inward, questioning our own culpability and worthiness. In its totality, "The Black Messengers" serves as an exploration of the enigma of human suffering, defying easy explanations or solutions. Through poetic images that resonate with emotional authenticity, Vallejo provides a compelling and empathetic look at the universality of pain and the existential questions it evokes. It's a poem that doesn't offer resolution but creates a shared space of acknowledgment - a space where we can admit that there are things in life so overwhelming that they make us say, "I don't know." POEM TEXT: In life there are blows so heavy. 'I don't know. There are few; but they exist. Dark chasms They are the profound backslidings of Christs of the soul And man. Wretch! Wretch! He turns his eyes, In life there are blows so heavy. 'I don't know.' Copyright (c) 2024 PoetryExplorer | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...THE FUTURE OF TERROR / 5 by MATTHEA HARVEY MYSTIC BOUNCE by TERRANCE HAYES MATHEMATICS CONSIDERED AS A VICE by ANTHONY HECHT UNHOLY SONNET 11 by MARK JARMAN SHINE, PERISHING REPUBLIC by ROBINSON JEFFERS THE COMING OF THE PLAGUE by WELDON KEES A LITHUANIAN ELEGY by ROBERT KELLY |
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