Classic and Contemporary Poetry: Explained

"American Sonnet (91)" is a poem by Wanda Coleman that was first published in her collection "Bathwater Wine" in 1998. The poem is part of a series of American Sonnets that critique American society and explore issues of race, class, and gender.

Explanation:

The poem begins with a powerful image of the "gates of mercy" slamming shut on the speaker's right foot, representing the ways in which systems of oppression prevent marginalized individuals from accessing basic human rights and compassion. The poem then explores the ways in which societal forces perpetuate these systems of oppression and the impact that they have on individuals. The poem also reflects on the ways in which individuals can resist these systems and fight for justice.

Poetic Elements:

• Form: The poem is written in sonnet form, with a rhyme scheme of ABAB CDCD EFEF GG. The poem consists of 14 lines and is structured around the themes of oppression and resistance.
• Imagery: The poem contains vivid visual imagery that evokes the pain and injustice experienced by the speaker, as well as symbolic imagery that critiques American society and its values.
• Metaphor: The image of the "gates of mercy" slamming shut on the speaker's foot serves as a metaphor for the ways in which systems of oppression prevent marginalized individuals from accessing basic human rights and compassion.
• Theme: The poem explores the themes of oppression, resistance, and the impact that societal forces can have on individuals.

Conclusion:

"American Sonnet (91)" is a powerful and urgent poem that critiques American society and the ways in which it perpetuates systems of oppression. The poem's use of sonnet form, vivid imagery, and metaphor creates a sense of urgency and outrage, while its underlying themes of resistance and the importance of fighting for justice underscore the value of recognizing and challenging systems of oppression.

Poem Snippet:

"The gates of mercy slammed on the right foot

then the left in quick succession. Bad luck?

Forget it, sister. Let's uncover the mirror.

The music of our pleasures isn't enough."

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