Poetry Explorer- Classic Contemporary Poetry: Explained, WALT WHITMAN AT BEAR MOUNTAIN, by LOUIS SIMPSON



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Classic and Contemporary Poetry: Explained

WALT WHITMAN AT BEAR MOUNTAIN, by             Poet Analysis     Poet's Biography

"Walt Whitman at Bear Mountain" is a poem by Louis Simpson, first published in 1960 in his collection "At the End of the Open Road." The poem imagines a meeting between the speaker and Walt Whitman at Bear Mountain, New York, a place the famous American poet visited and wrote about in his own work. The poem explores themes of mortality, artistic legacy, and the tension between the natural world and human civilization.

Explanation:

The speaker of the poem is on a hike in the mountains and comes across the ghost of Walt Whitman. The two converse, with the speaker expressing admiration for Whitman's work and legacy. Whitman, in turn, laments his mortality and the fact that his poetry has not had the impact he hoped for. He expresses frustration with human civilization, seeing it as a destructive force that has harmed the natural world. The poem ends with the speaker reflecting on the encounter and the enduring power of Whitman's work.

Poetic Elements:

  • Form: The poem is written in free verse, with no regular rhyme or meter.
  • Imagery: The poem makes use of vivid imagery to describe the natural setting and the encounter between the speaker and Whitman.
  • Tone: The tone of the poem is contemplative and introspective, with moments of both admiration and lamentation.
  • Symbolism: Bear Mountain and the Hudson River are both symbolic of the natural world, which is contrasted with the destructive force of human civilization.

Conclusion:

"Walt Whitman at Bear Mountain" is a poignant meditation on mortality and the power of artistic legacy. Simpson uses vivid imagery and a contemplative tone to explore the tension between human civilization and the natural world, while also paying tribute to the enduring influence of Walt Whitman's poetry.

Poem Snippet:

 

"Whatever the sea means, the land means less,

from the Hudson to the trenches of the Marne,

death has ennobled certain landscapes

that we have desecrated with our engines and our mills."

 


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