Classic and Contemporary Poetry: Explained | ||||||||
The opening line, "The year has changed his mantle cold," immediately introduces the metaphor of the year shedding its cold, uncomfortable clothing-that of winter. The next lines detail what this previous 'clothing' consisted of: "wind, of rain, of bitter air." Each element presented portrays the discomfort and harshness often associated with winter, setting up a palpable contrast with what follows. As the poem progresses, we learn that the year is now "clad in cloth of gold, / Of laughing suns and season fair." The year's new garb is not just comfortable; it is luxurious, precious, and filled with warmth and laughter. The "cloth of gold" is strikingly different from the "mantle cold," suggesting not merely a change but a transformation. "Laughing suns" gives the sun anthropomorphic qualities, making nature seem even more alive and joyous. Animal life too experiences this rejuvenation: "No bird or beast of wood or wold / But doth with cry or song declare / The year lays down his mantle cold." Here, D'Orléans extends the implications of the seasonal change to the animal kingdom, suggesting a universal celebration of the arrival of spring. The repetition of the line "The year lays down his mantle cold" serves as a refrain, but also as a declaration that even the creatures of the earth recognize and announce. D'Orléans also includes water bodies in this transformation: "All founts, all rivers, seaward rolled, / The pleasant summer livery wear." Rivers and fountains too put on their "summer livery," their summer uniforms or clothing, again using the metaphor of clothing to depict nature's changes. The description of this livery as decorated "With silver studs on broidered vair" adds a layer of opulence to the picture. Silver studs are precious, and "vair" is a type of luxurious fur, commonly associated with nobility in medieval times. The final line reiterates the initial refrain, "The year lays down his mantle cold," serving as a bookend that encapsulates the poem's central theme. This repetition serves as a conclusive statement, a final nail in the coffin of winter, signifying the indisputable arrival of spring. The poem is not just a literal ode to spring; it can also be interpreted as an allegory for transformation, renewal, and the shedding of old woes for new possibilities. In capturing the essence of a seasonal transition, D'Orléans reflects on a universal hope for better times. Therefore, "Spring" serves as a timeless reminder that after every 'winter,' literal or metaphorical, a 'spring' is bound to follow. Copyright (c) 2024 PoetryExplorer | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...SPRING FOR THOMAS HARDY by ANTHONY HECHT SPRING LEMONADE by TONY HOAGLAND A SPRING SONG by LYMAN WHITNEY ALLEN SPRING'S RETURN by GEORGE LAWRENCE ANDREWS ODE TO SPRING by ANNA LETITIA BARBAULD ODE TO SPRING by ANNA LETITIA BARBAULD SPRING FLOODS by MAURICE BARING SPRING IN WINTER by CHARLOTTE FISKE BATES SPRING ON THE PRAIRIE by HERBERT BATES THE FARMER'S BOY: SPRING by ROBERT BLOOMFIELD |
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