Poetry Explorer- Classic Contemporary Poetry: Explained, THE GLORIFIED, by GERARD LABRUNIE



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Classic and Contemporary Poetry: Explained

THE GLORIFIED, by                 Poet's Biography


"The Glorified" by Gerard Labrunie, commonly known as Gerard de Nerval, functions as a lyrical ode to love and loss that both mourns and celebrates the eternal soul's journey. The poem explores the tension between earthly desires and heavenly rewards, suggesting that the greatest joys may well be reserved for the afterlife.

The poem starts with a question: "What doth our loves befall?" This inquiry immediately engages the reader in a contemplation about the fate of love after death. By asking what happens to "our loves," the poet establishes a collective existential concern that expands beyond personal anguish into a universal human condition. In the lines that follow, the poet suggests an optimistic answer, stating that the departed have found a "fairer dwelling" near the seraphim. This assertion wrestles with the age-old paradox of mourning: the sorrow of the living contrasted against the presumed bliss of the departed.

In addressing the divinity, the poet shifts focus to the spiritual realm by mentioning "God's Mother, the pure Maid." This invokes an aspect of Christian theology wherein the Virgin Mary serves as an emblem of ultimate purity and sanctity. Her presence casts the departed loves as virtuous souls worthy of celestial praise. In the same breath, the poem also alludes to an undefined earthly grief, "Girl-lover left in pain / Alone and scarred with grief," hinting at the unfulfilled or troubled relationships that mark human experience. This creates a contrast between the idealized love symbolized by the Virgin Mary and the flawed, worldly love, which is nevertheless still cherished and capable of "Deep everlasting mirth."

The concluding lines are particularly striking in their portrayal of the transformative power of the afterlife: "Brands once put out on earth, / Flame on in Paradise!" These lines offer a redemptive narrative, suggesting that earthly suffering-symbolized by extinguished "brands"-is not an end but a transitory phase. In the everlasting light of Paradise, these extinguished fires find new life, bursting into flames. The metaphor serves as a comforting yet thought-provoking notion that human experience, with all its complexities and disappointments, may be but a dim prelude to a more radiant existence.

In its exploration of love, loss, and the promise of eternal joy, "The Glorified" provides readers with a spiritual lens through which to view the human condition. It brings forth the idea that our loves are not lost but transformed, achieving their fullest expression in a realm we can only glimpse through faith. It's an affirmation that the spiritual and emotional investments we make here may find their ultimate reward in a world beyond our own.


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