Poetry Explorer- Classic Contemporary Poetry: Explained, THE GARRET, by EZRA POUND



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Classic and Contemporary Poetry: Explained

THE GARRET, by             Poet Analysis     Poet's Biography


Ezra Pound's "The Garret" delves into the paradoxes of human desire, wealth, and relationships. The poem starts with an unexpected invitation to pity those who are ostensibly "better off," such as the rich or those bound by marital obligations. This notion flips the conventional understanding of fortune on its head, suggesting that external markers of success or societal approval-like wealth or marriage-might not equate to genuine happiness or fulfillment.

At the heart of the poem is the idea that the rich "have butlers and no friends," while the speaker and his companion "have friends and no butlers." This contrast sharpens the reader's awareness of the true nature of wealth and poverty. Wealth in material possessions, Pound implies, may often come at the cost of real human connections. Conversely, a lack of material wealth may foster stronger, more meaningful relationships based on mutual respect and shared experience rather than economic transaction.

The second stanza introduces Dawn as a character entering "with little feet like a gilded Pavlova," a reference to the legendary Russian ballerina Anna Pavlova. Dawn here is not just a time of day but a performer, making her entrance in the daily theater of life. Her "little feet" and the comparison to a dancer imbue the scene with a sense of delicate beauty and fleeting grace, highlighting the transient yet deeply impactful nature of the moment.

Pound goes on to declare that life has "naught better" than the "hour of clear coolness, the hour of waking together." In this line, he elevates the simple, shared experience of waking up next to someone as the pinnacle of human experience. Here, the poem reaches its emotional climax, asserting that the small, quiet moments filled with clear, cool emotional sincerity are life's real treasures.

This is where Pound's earlier invitation to "pity the married and the unmarried" gains full clarity. Whether constrained by the loneliness of marriage without love or the societal pressure and existential angst of being alone, those who do not experience the simple joy of "waking together" in emotional and spiritual harmony are indeed to be pitied, regardless of their social or economic status.

The understated brilliance of "The Garret" lies in its ability to deconstruct social norms and expectations, suggesting that the true essence of life-its purest form of wealth, its most honest expression of love-can be found in the unassuming yet profound act of sharing a new day with someone you love. Thus, in the confines of this short poem, Pound captures a sweeping, timeless sentiment that still resonates with readers today.


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