Poetry Explorer- Classic Contemporary Poetry: Explained, EVERYTHING, by WISLAWA SZYMBORSKA



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Classic and Contemporary Poetry: Explained

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In Wis?awa Szymborska's poem "Everything," the poet reflects on the paradoxical nature of the concept denoted by the word 'everything.' The poem, translated by Stanislaw Baranczak and Clare Cavanagh, presents the term as "a bumptious, stuck-up word" that has the audacity to claim it encompasses all there is to know or experience. For Szymborska, such a word should be "written in quotes," perhaps signaling its inadequacy or irony. By placing it in quotes, the poet hints that the term fails to fulfill its ambitious promise.

Szymborska critiques the term's pretentiousness by claiming it "pretends to miss nothing, to gather, hold, contain, and have." These verbs echo the omniscient and omnipotent attributes often associated with divine figures. But this grand claim is immediately undercut by the last lines, which reveal 'everything' to be "just a shred of gale"-a tiny fragment of wind, transient and intangible. This wind motif could be seen as a metaphor for the ephemeral nature of human experience and understanding, which can never fully grasp the enormity of 'everything.' Wind, like the concept of 'everything,' is in constant flux and defies containment.

What Szymborska accomplishes here is a destabilization of a term that is often used casually or thoughtlessly. She calls into question the very language we use to try and categorize or understand our world. It's a subtle yet powerful critique of the arrogance of language, which assumes it can capture the complexity of life, the universe, and yes-everything. While the word aims to be comprehensive, it only serves as a reminder of our limitations in comprehending the scope of existence.

The poet's exploration of 'everything' also resonates in an existential sense. Humans have long grappled with the vastness of the universe and the enigmatic concept of infinity. By reducing 'everything' to "just a shred of gale," Szymborska invites us to confront the discomfort of our limitations and the impossibility of attaining complete knowledge or understanding. Yet, there's something liberating in acknowledging these constraints, as it allows us to focus on the 'shreds' that we can grasp, those fragments of experience that make life meaningful even if they don't offer a complete picture.

In a world that often pushes us toward absolutes, Szymborska's "Everything" acts as a compelling reminder of the beauty and complexity that resides in nuance and uncertainty. By questioning a term that seeks to categorize the infinite, the poem exemplifies the poet's ongoing exploration of the limitations and possibilities of language and human understanding.


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