Poetry Explorer- Classic Contemporary Poetry: Explained, ANCIENT WISDOM, RATHER COSMIC, by EZRA POUND



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Classic and Contemporary Poetry: Explained

ANCIENT WISDOM, RATHER COSMIC, by             Poet Analysis     Poet's Biography


"Ancient Wisdom, Rather Cosmic" by Ezra Pound is a succinct yet philosophically profound poem that delves into questions of identity, perception, and contentment. The poem tells of So-shu who dreamed he was a bird, a bee, and a butterfly. Upon waking, he finds himself content, questioning why he should strive to feel like anything other than what he has already experienced in his dreams. The poem is a condensed exploration of metaphysical themes, distilling complex philosophical ideas into a mere four lines.

The poem's title alone is a packed space of meaning. "Ancient Wisdom, Rather Cosmic" suggests that the knowledge to be imparted is not just old but elemental, tied to the larger cosmos or universe. The idea that wisdom can be "cosmic" suggests a sort of universal applicability, and yet the "Rather" in the title lends a slight tongue-in-cheek tone, as if to temper or question its own grandiosity.

So-shu's dream of being various creatures may symbolize the ever-changing nature of human identity and the fluidity of experience. Dreams here act as an alternative realm of reality, providing a breadth of experiences that make the waking state seem narrow and limited in comparison. By experiencing life as different creatures, each with their unique viewpoint and way of interacting with the world, So-shu gains an inclusive perspective that leaves him feeling content.

The poem also raises questions about the nature of reality and the boundaries between dreaming and waking life. It hints at a philosophical problem reminiscent of Zhuangzi, the ancient Chinese philosopher, who famously questioned whether he was a man who dreamed of being a butterfly or a butterfly dreaming of being a man. This oscillation between identities, roles, or states of being seems to suggest that the lines separating them are arbitrary, and it's this realization that leads to So-shu's "contentment."

In a way, the poem itself models the brevity and simplicity that it advocates. It doesn't endeavor to be more than it is-a short, contemplative piece that provokes thoughtful questioning. Much like So-shu, the poem is content in what it is, without reaching for anything more extravagant or complicated.

Pound's poem is minimalistic but saturated with meaning, encouraging the reader to consider the boundaries of self, the relativity of experience, and the possibility that contentment might come from a broader understanding of life's diverse realities. In doing so, the poem achieves a kind of "cosmic" wisdom, a universally relevant insight distilled into a compact, poetic form.


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