Poetry Explorer- Classic Contemporary Poetry: Explained, MONUMENTUM AERE, ETC., by EZRA POUND



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Classic and Contemporary Poetry: Explained

MONUMENTUM AERE, ETC., by             Poet Analysis     Poet's Biography


In "Monumentum Aere, Etc.," Ezra Pound confronts the ephemeral nature of human life and the lasting impact (or lack thereof) that individuals may leave behind. The poem serves as a sharp rebuttal to those who accuse the speaker, presumably Pound himself, of arrogance or presumption.

The opening lines confront the accusation directly: "You say that I take a good deal upon myself; / That I strut in the robes of assumption." The speaker doesn't deny the claim but challenges the accuser to consider the bigger picture-namely, the inevitable decay and forgetfulness that time brings. The "buffo" and "trivial parts" of the speaker may be forgotten, but so too will the accuser be forgotten, in perhaps a more ignoble manner.

The lines "As for you, you will rot in the earth, / And it is doubtful if even your manure will be rich enough / To keep grass / Over your grave" are particularly biting. While the speaker accepts his own mortality and the likelihood of being forgotten, he highlights the accuser's ultimate insignificance. The idea that the critic's decayed remains might not even enrich the soil sufficiently to grow grass adds a layer of contempt and dismissal, stressing the utter inconsequentiality of the individual in the grand sweep of time.

This theme of ephemerality versus permanence reflects Pound's own preoccupation with leaving a lasting impact on art and culture. He was a seminal figure in modernist poetry, a catalyst who helped define an entire movement. For someone deeply invested in the transformative power of art, the notion that even the artist becomes a fleeting memory is both sobering and motivating.

While the poem's tone might come across as dismissive or even cruel, its underlying message raises valid existential questions about legacy and the human condition. It reminds us that individual lives, filled with petty concerns and self-importance, are brief and, in the long run, inconsequential. The "comic detail" will be forgotten, overshadowed by either the broader strokes of a person's impact or the complete erasure brought on by time.

It also challenges us to think about what parts of us, if any, will endure. In aiming this scrutiny at himself as well, Pound forces us to question whether our actions, works, or even criticisms have the weight and substance to leave a meaningful legacy.

Therefore, "Monumentum Aere, Etc." serves as a memento mori, a reminder of human mortality and the need for humility in the face of life's impermanence. Through its unflinching gaze at the unpleasant aspects of human existence, it challenges us to ponder our own legacy and what, if anything, will grow over our graves.


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