Poetry Explorer- Classic Contemporary Poetry: Explained, TO ROME; BURIED IN ITS RUINS, by FRANCISCO GOMEZ DE QUEVEDO Y VILLEGAS



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Classic and Contemporary Poetry: Explained

TO ROME; BURIED IN ITS RUINS, by                 Poet's Biography


Francisco de Quevedo y Villegas' "To Rome; Buried in Its Ruins" offers a lamentation and meditation on the passage of time, the inevitability of decay, and the transient nature of glory. It begins with the compelling image of a stranger, who can symbolize any of us, searching for the Rome of lore and legend amid its fallen columns and ruins. The stranger is told that seeking Rome in Rome is now a futile endeavor-the city has metamorphosed into a tomb of its former self.

The physical characteristics of Rome-the Aventine and Palatine hills, formerly signs of Rome's majesty-are depicted as self-destructive, having entombed themselves. It is as though the landmarks that made Rome the epicenter of an empire have eaten themselves, succumbing to their ruinous fate. Quevedo makes a biting observation about the moldering medals and trophies; they no longer mark the victories of Rome but the triumph of "oblivious gloom." Time, characterized by "conquering banners," is the true victor, having razed even the hills to nothingness.

The only surviving entity is the Tiber River, an enduring yet melancholic figure that once "worshipped" the splendor of Rome and now "complains" around her sepulcher. The image of the river is particularly striking because water often symbolizes life and continuity. The Tiber becomes a witness to Rome's grand narrative, from its zenith to its inevitable demise. The river embodies the persistent flow of time, remaining as a lingering reminder of what Rome once was.

The poem concludes with a potent irony: Rome's "steadfast grandeur" and beauty have fled, and only the Tiber, "which seemed so fleet and fugitive," remains. The implication is that what often appears most enduring proves to be most fragile, and what seems fleeting often endures. It's a jarring statement about human endeavors and ambitions, solidified through the lens of Rome's impermanence.

Quevedo's poem, then, is a poignant reminder of the transience of human greatness, where even the most mighty empires must eventually yield to the ravages of time. It invites us to reflect on our own finite endeavors and challenges the hubris that often accompanies power and prosperity. In this sense, the poem transcends its historical and cultural context to offer a timeless meditation on human vulnerability in the face of the relentless march of time.


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