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Classic and Contemporary Poetry: Explained | |||
The opening lines depict the sculptor's painstaking process of creating art out of marble. This involves long vigils, a lot of care, and a series of well-placed, forceful strikes on the marble, compared to the discipline of blows. It's a process that's not without pain or effort - similar to how thorns protect the rose, the sculptor's skill is protected by sharp steel. But the outcome, a magnificent statue, is worth the struggle, just as the beauty of a rose is worth the presence of its thorns. In the second part, the speaker extends this reflection to other natural processes of creation. He asks if someone who sees a fully grown, broad-armed tree would begrudge the seed it came from. The speaker asserts that he wouldn't desire to return to a primordial time of Saurians and "fat slime," before nature had been shaped into its current, beautiful form with plains, shadowy flower-filled places, rivers, and rains. This connects the sculptor's process to the evolution of the world, suggesting the pain and struggle (thorns) that come with creation are necessary steps to reach the final form. Finally, the poem speaks to the healing power of time, symbolized by the grass in springtime covering the marks left by winter's wheels. As serene maturity conceals the tumultuous past, the "perfect earth" retains no memory of its chaotic birth. This presents a message of resilience, growth, and renewal, asserting that past difficulties and struggles lead to the creation of something beautiful and harmonious. In summary, the poem symbolically explores themes of creation, struggle, transformation, and evolution, drawing comparisons between the painstaking craft of a sculptor, the growth of a seed into a tree, and the formation and evolution of the world. It highlights the necessity of enduring hardships and the passage of time to reach a state of completion or perfection. Copyright (c) 2024 PoetryExplorer | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...MEMORY AS A HEARING AID by TONY HOAGLAND THE SAME QUESTION by JOHN HOLLANDER FORGET HOW TO REMEMBER HOW TO FORGET by JOHN HOLLANDER ON THAT SIDE by LAWRENCE JOSEPH MEMORY OF A PORCH by DONALD JUSTICE BEYOND THE HUNTING WOODS by DONALD JUSTICE |
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