Poetry Explorer- Classic Contemporary Poetry: Explained, TRANSVESTISM IN THE NOVELS OF CHARLOTTE BRONTE, by PATRICIA BEER



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Classic and Contemporary Poetry: Explained

TRANSVESTISM IN THE NOVELS OF CHARLOTTE BRONTE, by                

"Transvestism in the Novels of Charlotte Bronte" by Patricia Beer is a thought-provoking poem that explores the theme of transvestism and cross-dressing in some of Charlotte Bronte's famous novels: "Villette," "Shirley," and "Jane Eyre."

Patricia Beer (1919-1999) was an English poet and author known for her insightful and thought-provoking works. Throughout her career, Beer published numerous collections of poetry, earning recognition for her distinctive voice and ability to tackle complex themes with depth and sensitivity. Her poems often explored human emotions, relationships, and the intricacies of the natural world.

The poem delves into the complex portrayal of characters in these novels, shedding light on their clothing choices and the implications they hold for gender roles and societal expectations. Through a concise and reflective verse, Beer raises questions about gender identity, power dynamics, and the societal constraints faced by the characters.

Theme and Context

The central theme of the poem revolves around transvestism, which refers to the act of dressing in clothing typically associated with the opposite gender. The poet highlights instances of transvestism in the novels of Charlotte Bronte and offers an interpretation of their significance. The inclusion of "The Professor," which is not explored in detail, adds to the enigmatic nature of the poem, encouraging readers to engage in further analysis.

The poem's context lies in the exploration of the literary works of Charlotte Bronte, particularly "Villette," "Shirley," and "Jane Eyre." These novels, written during the Victorian era, provide a rich backdrop for exploring the complexities of gender roles and identity during that time.

Analysis

In the poem, Beer reflects on the characters in Charlotte Bronte's novels who engage in transvestism. Mr. Rochester, De Hamal, and Lucy are singled out as examples. Mr. Rochester, dressing up as an old crone and De Hamal as a nun, seems to imply that they assume these disguises as part of their romantic pursuits. The poet questions the necessity of such roles, suggesting that true intimacy can exist without resorting to such theatrics.

Shirley, on the other hand, is depicted as a "cheat" who dons a "rakish hat" and masquerades as a man. However, the poem suggests that Shirley's attempts to woo the mill-owner are futile, as he remains celibate, emphasizing the limitations of transvestism in altering societal norms.

Lucy, in "Villette," is portrayed as more self-aware and purposeful in her transvestism. She presents herself as a human being rather than as a man or woman, highlighting the complexity of gender identity and the fluidity of roles.

The last stanza delves into the overarching theme of unity and interconnectedness, represented through the metaphor of trees in a dark wood. The branches, regardless of their direction (branched or split), rise together. This imagery can be interpreted as a metaphor for the characters' gender fluidity, breaking away from societal norms and embracing their authentic selves.

Poetic Devices

Enjambment: The use of enjambment, such as in lines 25 and 26, creates a sense of continuity and fluidity, mirroring the theme of transvestism and blending of genders.

Imagery: The poet employs vivid imagery, like "Mr. Rochester dressed up as the old crone" and "Lucy... put on a man's gilet," to evoke visual representations of the characters' transvestism.

Alliteration: The alliteration in "Strutting and wooing" (line 21) emphasizes the characters' actions and intentions in their cross-dressing.

Conclusion

"Transvestism in the Novels of Charlotte Bronte" by Patricia Beer offers a fresh perspective on the exploration of gender roles and identity in the works of Charlotte Bronte. Through a concise and evocative verse, the poem sheds light on the complexities of transvestism in different characters and their respective motivations.

By examining these characters' choices in clothing, the poem invites readers to contemplate the broader societal expectations and norms that shaped their actions. Moreover, the imagery of the trees in the last stanza reinforces the idea of unity and acceptance of diverse identities, ultimately encouraging readers to challenge rigid gender constructs and embrace the complexities of human existence.


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