Poetry Explorer- Classic Contemporary Poetry: Explained, SMALL HOURS OF THE NIGHT, by ROQUE DALTON



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Classic and Contemporary Poetry: Explained

SMALL HOURS OF THE NIGHT, by             Poet Analysis     Poet's Biography


The poem "Small Hours of the Night" by Roque Dalton is a meditative exploration of the permanence of death and the resonance of the living voice in the realm of the deceased. It ventures into the sacred territory of love, life, and the inevitable reality of death, offering a poignant plea from the perspective of someone who has passed away.

The opening lInesset the tone, requesting the living to refrain from saying the speaker's name after death: "When you know I'm dead don't say my name / because then death and peace would have to wait." Dalton vividly encapsulates the power that a name-only eleven letters long-holds over existence and non-existence. To utter the name would be to disturb the "death and peace" that the deceased has "earned," disrupting the natural course of passing from this life into the next.

Dalton employs symbolic metaphors to express the significance of one's voice in shaping the existence of the dead. "Your voice, the bell of your five senses, would form / the thin beam of light my mist would be looking for." The imagery here is hauntingly beautiful. The living voice is equated to a "thin beam of light," a sign of hope, life, and awareness that the "mist" or spirit of the deceased would be drawn to, unable to resist. Here, Dalton subtly argues for the life-altering power of love and human connection that transcends even the barrier of death.

The speaker suggests alternative words that could be used instead of his name, such as "flower, bee, teardrop, bread, storm." These words are loaded with sensory, emotional, and existential implications. Flowers and bees invoke nature and cycles of life; teardrops signify sorrow; bread symbolizes sustenance, and the storm captures the turbulence of emotions. These words can evoke a sense of what the speaker represented without pulling him back from his restful oblivion.

The recurring phrase "Don't say my name" transforms into a mantra by the end of the poem, emphasizing its centrality to the speaker's post-mortem peace. "I'm sleepy, I've loved, I've earned silence," the speaker says, encapsulating a lifetime of fatigue, love, and experiences that culminate in a desire for eternal peace.

Dalton's poem dwells in the sacred space between life and death, exploring the ripple effects of our actions, even after our earthly sojourn has ended. It calls attention to the responsibilities that love and memory impose on the living, reminding us that the words we choose to speak can have impacts beyond our understanding. "Small Hours of the Night" is a poetic masterpiece that confronts us with uncomfortable questions about love, remembrance, and the consequences of voicing a name that no longer belongs to the realm of the living.


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