Poetry Explorer- Classic Contemporary Poetry: Explained, ISLANDER, by LOUISE ELIZABETH GLUCK



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Classic and Contemporary Poetry: Explained

ISLANDER, by             Poet Analysis     Poet's Biography


"Islander" by Louise Gluck, although concise, presents a complex tableau of desperation, emotional disconnect, and unfulfilled expectations. The poem employs intense, almost frantic language, manifesting the urgency and despair that pervade the speaker's call to "Sugar," presumably an intimate partner or close relation. The call is unheeded, the voice unheard, representing a poignant tableau of human relationships teetering on the brink of collapse.

The very first line, "Sugar I am CALLING you. Not," exposes the theme of a disintegrating connection where even the act of calling becomes ineffective. The speaker hasn't "Journeyed all these years" for a reality rife with neglect and emotional poverty. The phrase "You stalking chicken in the subways" may denote desperate attempts at survival, or a lower way of life that both literally and metaphorically takes place in the underground, far from the light.

The phrase "Nights hunched in alleys all to get / That pinch" reveals the recipient's preoccupation, presumably with a vice that consumes him to the point of neglecting shared domestic life. It could symbolize anything from drug abuse to any other obsessive behavior that detaches one from relational responsibilities. The term "O heartbit," a deviation from 'heartbeat,' dehumanizes the feeling further, reducing the vibrant life force to a mere mechanical existence.

The domestic imagery of "The supper's freezing in the dark" and "Fastened to the chair" highlights the inertia and stagnation that have gripped their home life. While the food goes cold, the speaker is seemingly immobilized, as though bound to a chair, in a state of desperate wait. This presents an agonizing contrast to the energetic, albeit aimless, activities of "Sugar."

The final lines, "While I, my prince, my prince… / Your fruit lights up. / I watched your hands pulling at the grapes," show a lingering, perhaps nostalgic, memory of happier times. Here the term "my prince" is tinged with irony, a far cry from the royal and chivalrous connotations it may once have held. The only thing that "lights up" in this setting is the fruit, which serves as a metaphorical reminder of life's sweetness that they once might have shared but which has now grown dim.

The genius of "Islander" lies in its ability to compress a lifetime of emotional ebbs and flows into a concise yet potent narrative. Each line is a loaded brushstroke in a larger painting of a relationship in decay, making it a compelling study in the dehumanizing effects of emotional neglect and broken communication. Despite its brevity, the poem manages to encapsulate the universal human tragedy of love deteriorating into apathy and despair.


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