Classic and Contemporary Poetry: Explained | ||||||||
The poem begins with a vivid setting: Arles in "the atrocious midday light," a landscape where the Rhone River flows. This intense light is mirrored by the "man of phosphor and blood," unmistakably Vincent himself. He is depicted as a volatile, living element-both luminescent and bloody-reflecting his emotional and psychological complexities. The first stanza sets up Vincent as a suffering figure, groaning "like a woman giving birth," a metaphor that equates the torment of his inner life with the act of creation. In this narrative, Vincent flees "pursued by the sun," which is described as a relentless force of "strident yellow," mirroring Van Gogh's own complex relationship with light and color. His journey leads him to a "whorehouse near the Rhone," and here the narrative takes a surreal turn. Vincent arrives "like a Christmas king" bearing an "absurd present"-his own severed ear, a historical detail that is both grotesque and deeply sad. The description of his eyes as "blue and gentle" yet bearing a "true mad lucid look" encapsulates the paradox of Van Gogh: a deeply sensitive and brilliant artist plagued by mental instability. The imagery of the "frightful tender shell" of the ear amplifies the grotesqueness of Vincent's act. It is described as containing "the moans of dead love / And the inhuman voices of art," suggesting that his emotional turmoil and his artistic genius are inextricably intertwined. The woman's reaction-a blend of incomprehension, fear, and perhaps pity-mirrors the public's ambivalent response to the intensity of Van Gogh's art and persona. The poem reaches a climax in the vivid imagery of the "red eiderdown" blending with Vincent's "much more redder blood," forming his "most beautiful painting." This tragic tableau becomes a metaphor for Vincent's life, wherein his misery and genius are inextricably linked. The image of Vincent's "storm" that "runs out indifferent" suggests the callous indifference of the world to individual torment, even when that torment results in breathtaking art. "Vincent's Lament" portrays a man simultaneously revered and misunderstood, caught in a personal tempest that is both his curse and his legacy. It is a powerful poetic testimony to the agony and ecstasy of artistic creation, capturing the essence of Vincent van Gogh's life-a blaze of color, love, and inexorable sadness. The poem serves as a darkly luminous tribute to an artist whose genius was both a blessing and a form of damnation, epitomizing the often tragic relationship between art and the human condition. POEM TEXT: At Arles where rolls the Rhone In the atrocious midday light A man of phosphor and blood Gives a haunting groan Like a woman giving birth And the man flees howling Pursued by the sun A sun of strident yellow To a whorehouse near the Rhone The man comes like a christmas king With his absurd present He has the blue and gentle look The true mad lucid look Of those who give life everything Of those who are not jealous And shows the poor child His ear couched in the cloth And she cries without understanding anything Imagining sad omens And looks without daring to take The frightful tender shell In which the moans of dead love And the inhuman voices of art Mix with the murmurs of the sea And die on the tiling In the room where the red eiderdown Of a sudden bursting red Blends this red so red With the much more redder blood Of half-dead Vincent And wise as the very image Of misery and love The nude child all alone and ageless Looks upon poor Vincent Stricken by his own storm Which spreads on the tile Onto his most beautiful painting And the storm runs out indifferent Rolling before it its great barrels of blood The dazzling storm of Vincent's genius And Vincent stays there sleeping waking croaking And the sun over the whorehouse Like a mad orange in a nameless desert The sun on Arles Howling turns around. Copyright (c) 2024 PoetryExplorer | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...MY BIRD by EMILY CHUBBUCK JUDSON LOCKSLEY HALL SIXTY YEARS AFTER by ALFRED TENNYSON LITTLE BOATIE'; A SLUMBER SONG FOR THE FISHERMAN'S CHILD by HENRY VAN DYKE CUSTER'S LAST CHARGE [JUNE 25, 1876] by FREDERICK WHITTAKER CLIO, NINE ECLOGUES IN HONOUR OF NINE VIRTUES: 4. WORTHY MEMORY by WILLIAM BASSE UNTO US A CHILD IS BORN by AGNES H. BEGBIE BRITANNIA'S PASTORALS: BOOK 2. THE THIRD SONG by WILLIAM BROWNE (1591-1643) |
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