Poetry Explorer- Classic Contemporary Poetry: Explained, DOG HAS DIED, by NEFTALI RICARDO REYES BASUALTO



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Classic and Contemporary Poetry: Explained

DOG HAS DIED, by             Poet Analysis     Poet's Biography


Pablo Neruda's "Dog Has Died" is an elegiac tribute to the poet's late canine companion. The poem offers a rich meditation on mortality, companionship, and the complex emotional tapestry of human-animal relationships. In a poignant tone that wavers between introspection and mourning, Neruda forgoes the saccharine idealizations often associated with pet elegies, and instead delivers a raw, unfiltered gaze into the intricate dynamics between him and his dog.

The poem commences with an unvarnished declaration: "My dog has died." This simple, blunt admission serves as an entry point into the complex emotional landscape the poem navigates. Neruda buries the dog next to "a rusted old machine," perhaps signifying how both have outlived their function, yet remain cherished.

Remarkably, the poet's dog isn't romanticized as an obedient creature, but cherished for its independence and "bad manners." He wasn't servile or obsessed with gaining human approval. His companionship is likened to "that of a porcupine withholding its authority," and "the friendship of a star, aloof." In these descriptions, we recognize an egalitarian relationship; the dog and the man coexisted in mutual respect, asking little and assuming less.

This notion of respect for autonomy resurfaces when Neruda describes walking with his dog along the shores of the sea. The dog is "full of the voltage of the sea's movement," "sniffing away with his golden tail held high." These images paint a vivid portrait of a creature at one with the elements, alive to its surroundings, and engaged in a visceral dialogue with the world. It is joyful "with only the autonomy of their shameless spirit," a testament to a life unburdened by existential anxieties, something Neruda openly admits to envying.

The poem also touches on themes of mortality and the afterlife. Despite being a "materialist" who doesn't believe in a heavenly afterlife for humans, Neruda paradoxically asserts a heaven "for all dogdom." This suggests that the purity and simplicity of a dog's life deserve an eternal reward, something that complex, flawed humanity can't attain. It's as if the dog's unassuming nature elevates him to a realm of spiritual purity inaccessible to humans.

Finally, the poem concludes on a note of stoic acceptance: "So now he's gone and I buried him, and that's all there is to it." There is no theatrical lament, no rending of garments, just a simple acknowledgment of a life that was and is no more. It's this very simplicity that elevates the poem from a eulogy to a celebration, from an account of death to an affirmation of life, both human and canine.

Neruda's "Dog Has Died" serves as a compelling tribute not just to a specific pet but to the universal experience of loving a creature that asks for little and gives much. It suggests that perhaps the greatest lessons in humanity come from beings considered less than human. With elegance and raw honesty, Neruda navigates the terrain of loss and remembrance, offering a poetic masterpiece that speaks to the enduring bonds between man and animal.


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