Poetry Explorer- Classic Contemporary Poetry: Explained, LIFE AND DEATH OF HABBIE SIMSON, THE PIPER OF KILBARCHAN, by ROBERT SEMPILL



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Classic and Contemporary Poetry: Explained

LIFE AND DEATH OF HABBIE SIMSON, THE PIPER OF KILBARCHAN, by             Poet Analysis    

"The Piper of Kilbarchan" is a poem written by Robert Sempill, a Scottish poet from the 16th century. The poem laments the death of a piper named Habbie Simson, who was well-known and beloved in the town of Kilbarchan. The speaker expresses sorrow over the loss of Habbie and reflects on the various roles and activities he had in the community.

The poem begins with Kilbarchan lamenting the loss of its "game and grace" and acknowledging that no one can replace Habbie Simson. The speaker questions who will now play the tunes and melodies that Habbie was known for, such as "The Day it Daws" and "Hunts up when the Cock he craws." The absence of Habbie's bagpipes leaves a void in the town's festivities and events.

The poem highlights Habbie's contributions in various contexts. He was not only a musician but also a shepherd, as he played his pipe while the shearers worked. He was present at fairs and played for the spear-men, adding to the excitement and energy of the events. Habbie's presence at clerk-plays and his ability to accompany the drum with his pipe are also mentioned.

Habbie Simson's skills as a piper were recognized and respected. He excelled in playing for horse races and football games, displaying both skill and speed. His prowess and achievements in these activities earned him admiration from others. At weddings, Habbie played an important role as the escort of the bride, symbolizing celebration and joy. However, despite his abilities, the poem acknowledges that Habbie had a reputation for mischief and bobbing behind people's backs.

The speaker reflects on Habbie's character and appearance, describing him as an aging man with missing teeth but still capable of bringing laughter to the lasses. Habbie's commitment to tradition is highlighted by his feathered cap on Sabbath days and his mare standing tethered in the churchyard.

The poem concludes with the speaker expressing deep sorrow for Habbie's passing, acknowledging the loss of his music and presence in the community. The absence of Habbie's piping leaves a void that cannot be filled. The poem serves as a tribute to Habbie Simson and the impact he had on the people of Kilbarchan.


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