Poetry Explorer- Classic Contemporary Poetry: Explained, JACK JOHNSON: THE FIX, by KEVIN YOUNG



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Classic and Contemporary Poetry: Explained

JACK JOHNSON: THE FIX, by             Poet Analysis     Poet's Biography


In Kevin Young's poem "Jack Johnson: The Fix," the speaker takes on the persona of Jack Johnson, the first African American world heavyweight boxing champion. The poem delves deep into the gritty world of boxing, touching upon Johnson's match with Jess Willard in 1915. Johnson claims the fight was a "fix," indicating it was rigged from the start. This claim was a subject of speculation and debate for decades after the bout. The poem raises critical themes of racism, compromise, and the painful lengths one must go to survive and thrive in a society that wants you to fail.

The opening lines reveal Johnson's desperation, "Out of the ring three years, jonesing / for the States, I struck a deal to beat the Mann / Act." The Mann Act, also known as the White-Slave Traffic Act, was a racially motivated law aimed at controlling the movements of African American men, especially those like Johnson, who had relationships with white women. Johnson accepts this "fix" to beat the Mann Act, a corrupt deal designed to strip him of his title and dignity but would allow him back into the U.S.

Despite the predetermined nature of the fight, Johnson informs his mother to "Bet on me." This suggests that even within the rigged system, he sees room for subversion, a chance to fight the "fix" the way he knows best-through boxing. His prowess in the ring becomes a metaphor for his struggle against racial injustice. Johnson's recounting of a previous bout with Stanley Ketchel, "Ketchel knocked me down even after we'd shook," serves as an example of how agreements, whether in the boxing ring or society, often turn out to be empty promises for African Americans. The line "I stood up & broke his teeth like / a promise. At the root." serves as a powerful metaphor for betrayal and defiance.

In the match with Willard, Johnson characterizes each punch as a "sucker" and every round as "a gun. Loaded." The violence here is not merely physical but racial and systemic. Johnson "nixed him," led him "along the ropes," resisting the predetermined outcome for as long as he could. The "alphabet in my head gave way" indicates that Johnson reaches his limits-physical, emotional, and moral.

The moment of surrender is poignant. Johnson's wife leaves with the money, and he goes down, not from a punch but from the weight of the fix, the racist system he can't beat. He counts "blessings instead of bets," signifying a moral victory even in defeat. The closing line "Best / believe I stood up smiling" adds a final twist. Even stripped of his title and knowing the game was rigged, Johnson finds a way to reclaim a fragment of his agency, his dignity, and his identity.

Overall, "Jack Johnson: The Fix" is a compelling narrative about the complexities and compromises inherent in fighting systemic injustice. The fight serves as a microcosm of larger societal struggles where the outcome is often predetermined, yet resistance and dignity are still possible. In its detailed examination of a historic fight and its implications, the poem becomes an allegory of the perennial fight against racial prejudice and social injustice.


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