Classic and Contemporary Poetry: Explained

The poem "Orion Dead" was written by Hilda Doolittle in 1917 and was published in her collection of poems titled "Sea Garden." The poem is a part of the imagist movement that was popular in the early 20th century, which emphasized clarity of expression and the use of precise imagery to evoke emotions.

Explanation:

The poem describes the constellation Orion as a hunter who has been slain and is now lying dead in the sky. The speaker describes the image of the constellation with a series of vivid images and sensory details. The speaker compares the stars that make up the constellation to "a crooked sawblade" and "a shattered crystal," emphasizing the fragmented and broken state of Orion in death.

Poetic Elements:

• Form: Free verse with irregular line lengths and no discernible rhyme scheme.
• Theme: Mortality, death, and the fleeting nature of life.
• Imagery: Vivid and detailed descriptions of the constellation Orion, including similes that compare the stars to a sawblade and a shattered crystal.
• Tone: Somber and mournful, as the speaker reflects on the death of Orion.
• Sound: Use of alliteration and consonance to create a musical quality to the poem, such as "crooked sawblade" and "blazing bright."
• Language: Use of concise and precise language, typical of the imagist movement.
• Structure: The poem is structured in a way that emphasizes the fragmentation and brokenness of Orion in death, with irregular line lengths and fragmented imagery.
• Symbolism: Orion as a symbol of mortality and the transience of life.
• Emotion: The poem evokes a sense of melancholy and sadness, as the speaker reflects on the death of Orion.

Conclusion:

"Orion Dead" is a powerful and poignant poem that uses vivid imagery and precise language to convey a sense of loss and the transience of life. Through the depiction of the constellation Orion as a broken and fragmented figure in the sky, the poem evokes a sense of melancholy and reminds us of our own mortality.

ORION DEAD

In the wide skirts of the frozen night,

in the crack that separates

two eternities

I saw him— Orion—

stopped, all the heavens

drained from his eyes.

But, if he had moved, if he had stretched

out his hand, if he had leaped

to his place in the sky,

I should have known

that behind his knees,

the dark from his heels,

was the weight of the whole world.