"The First Rule of Sinhalese Architecture" is a poem by Michael Ondaatje that was first published in his collection "There's a Trick with a Knife I'm Learning to Do: Poems 1973-1978". The poem speaks to the importance of structure and form in architecture, and how these physical elements can be used to create spaces that evoke emotions and memories. Explanation: The poem begins with a discussion of the importance of structure in Sinhalese architecture, particularly the use of columns and arches. The speaker notes that these elements are used to create a sense of space and light, and that they can be used to evoke different emotions in those who experience them. The speaker then describes a specific building, a temple or palace, which has been constructed using these elements in a particularly striking way. In the second half of the poem, the speaker shifts their focus to the idea of memory, and how the physical spaces we inhabit can trigger memories and emotions. The speaker describes how they have returned to this particular building many times, and how each visit is accompanied by a flood of memories and emotions. The poem ends with the speaker describing a particularly vivid memory that has been triggered by their visit to the building. Poetic Elements:
Conclusion: "The First Rule of Sinhalese Architecture" is a poem that speaks to the importance of structure and form in architecture, and how these elements can be used to create emotional spaces that evoke memories and emotions. The poem is notable for its vivid imagery and use of symbolism, and for the way it connects physical spaces with the emotions and memories they evoke. Poem Snippet: "The first rule of Sinhalese architecture is to build on the same high platform of patience a man uses for waiting for the return of a friend." *NOTE; Sinhalese architecture refers to the traditional architectural style developed in Sri Lanka by the Sinhalese people. It is characterized by a blend of indigenous elements with influences from various other architectural styles such as Indian, Southeast Asian, and European.
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