At first glance, the poem seems to speak about love's agility, comparing it to a "verb" and a "star." Yet, it's not just any verb; it's one that is "athletic," agile, constantly in motion. Here, Plath seems to suggest that love is an action, an active state of being that is ever-changing and ever-challenging. Love, like a verb, is never static; it moves, evolves, and responds to the nuances of human emotion. The poem's images of acrobats and circus performers imply a sense of danger and excitement. The "brazen jackanapes," the "acrobat of space," and the "daring adjective" all contribute to an atmosphere of high stakes, each daring to perform intricate moves to capture the essence of love. This aligns with the idea that love is not a safe, predictable emotion but one that demands a certain level of risk and daring. In the realm of syntax, each part of speech assumes a role in the gymnastic dance of love. The adjective, typically a descriptor, becomes "daring," leaping for the right phrase to describe love's arcs. The noun, usually a static word that names a person, place, or thing, catapults into space, risking a "planetary swoon" as if it were at the apex of its career. The conjunction serves as the ultimate linking device, joining the disparate elements of love and language into a unified whole, accomplishing a "periodic goal." The poem can also be viewed as a tribute to the creative act of writing. Just as love requires agility and risk, so does the craft of shaping words into meaningful expressions. Each word, each part of speech, becomes an athlete in its own right, flexing and stretching to accommodate the intricacies of human emotion. In its totality, "Verbal Calisthenics" stands as an ode to the complexities of love and language. It elucidates how both are games of high stakes and risk, requiring a certain level of skill, agility, and, above all, bravery. Through its vibrant metaphors and playful tone, the poem encapsulates the spirited gymnastics that both love and language demand, drawing readers into a fascinating world where words become as flexible and precarious as love itself. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...ON CRITICS; IN IMITATION OF ANACREON by MATTHEW PRIOR THE RHYME OF SIR LAUNCELOT BOGLE; A LEGEND OF GLASGOW by WILLIAM EDMONSTOUNE AYTOUN MORGUE: 1. LITTLE ASTER by GOTTFRIED BENN THE WATCHMAN AND THE NIGHT: THE WATCHMAN by ADA CAMBRIDGE MARGARET AND DORA by THOMAS CAMPBELL THE CAT AND THE BIRD by GEORGE CANNING A BOOK OF REMEMBRANCE by MAZIE V. CARUTHERS THE HARPS OF DAVID by HENRI CAZALIS THE BOROUGH: LETTER 4. SECTS AND PROFESSIONS IN RELIGION by GEORGE CRABBE |