Classic and Contemporary Poetry: Explained

"Love Poem" by Audre Lorde is an immersive exploration of sensuality, intimacy, and the physicality of love. The poem elevates the act of love to the realm of the mythic, drawing upon natural elements and landscapes to frame an emotionally charged narrative. Elements such as earth, sky, mountains, and valleys are not just metaphorical devices here; they are active participants in this poetic experience of love.

The poem starts with a plea: "Speak earth and bless me with what is richest." The earth is invoked as a witness and a bestower of riches. It seems to set the stage for a deeply grounding and elemental kind of love, one that partakes in the richness of the soil, the sweetness of honey, and the towering stability of mountains. This invocation adds an archetypal dimension to the personal love experience, suggesting that love, in its truest form, is as ancient and elemental as the earth itself.

The body, especially the female body, is portrayed as a landscape-"rigis mountains / spread over a valley / carved out by the mouth of rain." It's both sensual and awe-inspiring, an ecosystem of desire and life. When the speaker describes entering the lover, the language becomes that of nature taking its course: high winds blowing through forests, honey flowing from split cups, and a cacophony of natural sounds.

Interestingly, the use of the term "high wind in her forests hollow" suggests a sense of emptiness being filled, as if love or physical intimacy is a transformative experience that fills voids, or perhaps creates new meanings. The "lungs of pain" indicate that this isn't a sanitized, idealized love; it's raw, real, and complex. Love here is as capable of causing pain as it is of filling hollows.

But this isn't just a love that takes; it also gives abundantly. The honey flows from the lover as well, and there's a sense of mutual offering, a cyclical give-and-take that is as natural as the cycles of the earth.

The last lines "Greedy as herring-gulls / or a child / I swing out over the earth / over and over / again," evoke a sense of insatiable desire but also the innocence and purity of that desire, like a child or a bird tirelessly swinging or flying over the earth. It's a love that's both primal and innocent, a dual nature that makes it all the more powerful.

The poem stands as a profound meditation on the many layers of physical love: its primal urgency, its capacity to fill and be filled, its joys and its pains, and its deeply rooted connections to the earth and natural world. Lorde expertly crafts this multi-layered experience using evocative natural imagery, showing that love, in all its complexity, is perhaps the most fundamental force of nature.