Classic and Contemporary Poetry: Explained

"Spring" by Charles D'Orléans presents a vivid illustration of the transition from winter to spring, utilizing clothing metaphors to convey nature's transformations. The poem serves as a celebration of rebirth, not just in nature, but potentially in the human spirit. D'Orléans, who spent much of his life in captivity following the Battle of Agincourt, frequently used seasonal changes as metaphors for human emotional states, and it's easy to read this poem as an expression of a broader existential hope.

The opening line, "The year has changed his mantle cold," immediately introduces the metaphor of the year shedding its cold, uncomfortable clothing-that of winter. The next lines detail what this previous 'clothing' consisted of: "wind, of rain, of bitter air." Each element presented portrays the discomfort and harshness often associated with winter, setting up a palpable contrast with what follows.

As the poem progresses, we learn that the year is now "clad in cloth of gold, / Of laughing suns and season fair." The year's new garb is not just comfortable; it is luxurious, precious, and filled with warmth and laughter. The "cloth of gold" is strikingly different from the "mantle cold," suggesting not merely a change but a transformation. "Laughing suns" gives the sun anthropomorphic qualities, making nature seem even more alive and joyous.

Animal life too experiences this rejuvenation: "No bird or beast of wood or wold / But doth with cry or song declare / The year lays down his mantle cold." Here, D'Orléans extends the implications of the seasonal change to the animal kingdom, suggesting a universal celebration of the arrival of spring. The repetition of the line "The year lays down his mantle cold" serves as a refrain, but also as a declaration that even the creatures of the earth recognize and announce.

D'Orléans also includes water bodies in this transformation: "All founts, all rivers, seaward rolled, / The pleasant summer livery wear." Rivers and fountains too put on their "summer livery," their summer uniforms or clothing, again using the metaphor of clothing to depict nature's changes. The description of this livery as decorated "With silver studs on broidered vair" adds a layer of opulence to the picture. Silver studs are precious, and "vair" is a type of luxurious fur, commonly associated with nobility in medieval times.

The final line reiterates the initial refrain, "The year lays down his mantle cold," serving as a bookend that encapsulates the poem's central theme. This repetition serves as a conclusive statement, a final nail in the coffin of winter, signifying the indisputable arrival of spring.

The poem is not just a literal ode to spring; it can also be interpreted as an allegory for transformation, renewal, and the shedding of old woes for new possibilities. In capturing the essence of a seasonal transition, D'Orléans reflects on a universal hope for better times. Therefore, "Spring" serves as a timeless reminder that after every 'winter,' literal or metaphorical, a 'spring' is bound to follow.