Dreams and the Role of Men: The poem opens with the speaker acknowledging dreams where she is rescued by men in her life – her father, brother, and husband. This motif of being rescued, while seemingly traditional, is complicated by the speaker's feminist perspective. The dream of being saved from a rat-infested apartment and then dining at the Four Seasons juxtaposes a sense of danger with luxury and comfort. Questioning Traditional Gender Roles: The recurring question, "What does it mean to be a princess?" challenges traditional notions of femininity and dependency. The speaker reflects on her grandmother's identity and actions, noting how she asserted her presence in the world, particularly in international spaces like Embassy Row. Acts of Care in Relationships: The speaker reflects on the dynamics of her marriage, illustrating acts of care and support. Her husband's willingness to drive her to the airport and her cooking meals for him showcase a partnership based on mutual support, challenging traditional gender roles. The reciprocation of cooking duties further emphasizes an equitable and balanced relationship. Cultural Identity and Heritage: The poem delves into the speaker's racial and cultural identity. The reference to being "an American Negro" and the mention of an "Abyssinian" lover or husband connect the speaker's personal identity to a broader historical and cultural context. This connection underscores the interplay of race, culture, and personal identity in the speaker's life. Integration of Identities: In the concluding lines, the speaker describes herself as "an American Negro princess, married to an African prince, living in a rat-free apartment in New Haven," bringing together various aspects of her identity. This description signifies the integration of her personal history, cultural heritage, and current life circumstances, presenting a multifaceted and empowered self-image. Reflection on Feminism and Identity: The poem, as a whole, can be seen as a reflection on what feminism means to the speaker. It suggests that feminism is not about rejecting all traditional roles or relationships with men, but about finding balance, asserting autonomy, and embracing the complexities of one's identity. In summary, "Feminist Poem Number One" by Elizabeth Alexander is a thought-provoking exploration of feminist identity, racial heritage, and personal relationships. The poem navigates the nuances of being a woman, a partner, and an African American, illustrating the interconnectedness of these identities in shaping the speaker's life and perspective. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...FAREWELL TO FARGO: SELLING THE HOUSE by KAREN SWENSON A BALLAD UPON A WEDDING by JOHN SUCKLING EHEU, FUGACES! by FRANKLIN PIERCE ADAMS NEXT DAY; IN THE TRAIN by LAWRENCE ALMA-TADEMA QUATORZAINS: 7. ANOTHER FANTASTIC SIMILE by THOMAS LOVELL BEDDOES ULTIMATION by MAGDELEN EDEN BOYLE PASTORAL BALLADS: SPRING by THOMAS BREREWOOD SONNETS ON EMINENT CHARACTERS: 2. BURKE by SAMUEL TAYLOR COLERIDGE |