Classic and Contemporary Poetry: Explained

In “Afterthoughts of Donna Elvira,” Carolyn Kizer crafts a reflective and introspective monologue that captures the complexities of love, betrayal, and self-realization. This poem, spoken by the character Donna Elvira, offers a nuanced perspective on her past relationship, presumably with Don Juan, the infamous lover from literature and opera. Through concise and poignant lines, Kizer explores themes of love, kindness, and personal growth, ultimately suggesting that the true victory lies in the capacity to love, regardless of the outcome.

The poem begins with a resigned yet appreciative acknowledgment: "You, after all, were good. / Now it is late, you are kind." These lines set the tone for the reflection, indicating that time has passed and with it, emotions have softened. The phrase “after all” implies a reconsideration of past judgments, suggesting that with the benefit of hindsight, Donna Elvira recognizes a certain goodness in her former lover. The word "kind" further emphasizes a sense of gentleness and understanding that may not have been apparent during the height of their relationship.

Kizer then delves into the nature of love and loyalty with the lines, "The mind catches up with the blood. / You, it is good to know, / Now we are not in thrall, / To me were as kind as you would, / Being the same to all." Here, the poet juxtaposes the mind and the blood, symbolizing rational thought and passionate emotion, respectively. The phrase "being the same to all" critiques the lover's indiscriminate affection, which, while generous, lacks the exclusivity that true loyalty demands. This observation leads to a bittersweet realization for Donna Elvira, who now understands the broader context of his actions.

The poem continues with a contemplation of fidelity: "Those that are true to one / Love not themselves, love none. / Loving the one and many, / You cannot be true to any." These lines suggest a paradox inherent in the lover’s nature. By being "true to one," a person might neglect their own needs and desires, ultimately loving neither themselves nor others fully. Conversely, those who "love the one and many" spread their affection too thinly, failing to form deep, meaningful connections. This reflection hints at the lover’s inability to commit, a flaw that Donna Elvira now perceives with clarity.

As the poem progresses, Donna Elvira reconciles her feelings towards her former lover: "True to your human kind, / You seemed to me too cruel. / Now I am not a fool, / Now that I fear no scorn." This marks a turning point in her understanding. She acknowledges the lover’s behavior as a reflection of human nature rather than personal malice. This realization frees her from feeling like a "fool" and liberates her from the fear of judgment or scorn, suggesting a maturation and acceptance of past experiences.

The final lines, "Now that I see, I see / What you have known within: / Whenever we love, we win, / Or else we have never been born," encapsulate the poem’s ultimate message. Kizer presents a philosophical insight into the nature of love and existence. The act of loving, regardless of the outcome, is framed as a victory in itself. This perspective aligns with the idea that to love and experience love is a fundamental aspect of human existence, one that justifies our very being.

In “Afterthoughts of Donna Elvira,” Kizer eloquently captures the growth and introspection that come with the passage of time. The poem’s exploration of love, kindness, and the nature of human connections offers a mature and reflective take on relationships. Donna Elvira’s journey from hurt and confusion to understanding and acceptance serves as a testament to the resilience of the human spirit and the enduring power of love. Through her nuanced and thoughtful writing, Kizer invites readers to consider their own experiences of love and loss, ultimately celebrating the wisdom gained through life’s inevitable challenges.