The poem opens with the image of a tree, a symbol of life and growth, now fighting for survival amidst "incursions of pavement" — a reference to the encroachments of urbanization and, more broadly, to the scars of conflict that mar the landscape. This tree, once donated as a gesture of goodwill or hope, now stands as a testament to the changing fortunes of Gaza, a territory marked by blockades and military operations. Bell highlights the irony of "supplies" being both a lifeline and a pretext for conflict, with trucks and armies symbolizing the dual aspects of aid and aggression. The phrase "all things have reasons" underscores the complexity of the conflict, where every action, no matter how destructive, is justified by its perpetrators. The perspective then shifts to a view from space, suggesting that the broader, detached view of the conflict might reveal only destruction ("only rubble in this place"), leading to a sense of despair over the prospects for peace. This cosmic viewpoint is mirrored by the on-the-ground reality in Gaza, where the distinctions between Arab and Israeli blur into a shared human tragedy of living in a state of perpetual conflict. The poem culminates in the poignant observation that both sides are "dining on reasons, weighing what life is worth," a metaphor for the endless cycle of justification and retaliation that fuels the conflict. The transformation of vision into stare reflects a loss of hope and direction, where the clarity of purpose has been replaced by the hardened gaze of enmity. Bell's "Cargo Moving to Gaza (1988)" offers a powerful meditation on the Israeli-Palestinian conflict, capturing the physical devastation and existential weariness that characterizes life in a contested land. Through its stark imagery and nuanced perspective, the poem invites readers to reflect on the human cost of conflict and the elusive nature of peace in regions torn by historical and political divisions. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...TWO IN THE CAMPAGNA by ROBERT BROWNING WAR IS KIND: 12 by STEPHEN CRANE THE MAGNETIC MOUNTAIN: 32 by CECIL DAY LEWIS WHEN ALL IS DONE by PAUL LAURENCE DUNBAR A SNOW-STORM; SCENE IN A VERMONT WINTER by CHARLES GAMAGE EASTMAN THE RIVER by RALPH WALDO EMERSON CONSIDER by CHRISTINA GEORGINA ROSSETTI BRONZE TRUMPETS AND SEA WATER; ON TURNING LATIN VERSE INTO ENGLISH by ELINOR WYLIE |