Classic and Contemporary Poetry
ILL TIDINGS (THE STUDIO CONCERT), by RICHARD WATSON GILDER Poet's Biography First Line: In the long studio from whose towering walls Last Line: One that I love lies on her bed of pain. Subject(s): Symphonies; Concerts | ||||||||
IN the long studio from whose towering walls Calm Pheidias beams, and Angelo appalls, Eager the listening, downcast faces throng While violins their piercing tones prolong. At times I know not if I see, or hear, Yon statue's smile, or some not sorrowing tear Down-falling on the surface of the stream That music pours across my waking dream. Ah, is it then a dream that while repeat Those chords, like strokes of silver-shod light feet, And the great Master's music marches on -- I hear the horses of the Parthenon? But all to-day seems vague, unreal, far, With fear and discord in the dearest strain, For 'neath yon slowly-sinking western star One that I love lies on her bed of pain. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...SYMPHONIC STUDIES (AFTER ROBERT SCHUMANN) by EMMA LAZARUS PAPER ANNIVERSARY by MURIEL RUKEYSER AT A BACH CONCERT by ADRIENNE CECILE RICH THAT GENERAL UTILITY RAG, BY OUR OWN IRVING BERLIN by FRANKLIN PIERCE ADAMS A SPRING SYMPHONY by AMELIA JOSEPHINE BURR BEETHOVEN by ETHEL TONRY CARPENTER THE WORLD DICTATES by WILLIAM HENRY DAVIES A NEW YEAR'S SYMPHONY by MARGARETTE BALL DICKSON SIXTH SYMPHONY by LIDA MARIE ERWIN |
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