Classic and Contemporary Poetry
REMONSTRATORY ODE, by THOMAS HOOD Poet Analysis Poet's Biography First Line: Oh, mr. Matthews! Sir! Last Line: "or be it ""matthews, elephant, and co.!" Variant Title(s): Ode To Mr. Mathews Subject(s): Elephants; Opera | ||||||||
FROM THE ELEPHANT AT EXETER CHANGE, TO MR. MATTHEWS AT THE ENGLISH OPERA-HOUSE. [WRITTEN BY A FRIEND.] OH, Mr. Matthews! Sir! (If a plain elephant may speak his mind, And that I have a mind to speak I find By my inward stir) I long have thought, and wished to say, that we Mar our well-merited prosperity By being such near neighbours, My keeper now hath lent me pen and ink, Shov'd in my truss of lunch, and tub of drink, And left me to my labours. The whole menagerie is in repose, The Coatamundi is in his Sunday clothes, Watching the Lynx's most unnatural doze; The Panther is asleep, and the Macaw; The Lion is engaged on something raw; The white Bear cools his chin 'Gainst the wet tin; And the confined old Monkey's in the straw: All the nine little Lionets are lying Slumbering in milk, and sighing; Miss Cross is sipping ox-tail soup, In her front coop, So here's the happy mid-day moment; -- yes, I seize it, Mr. Matthews, to address A word or two To you On the subject of the ruin which must come By both being in the Strand, and both at home On the same nights; two treats So very near each other, As, oh my brother! To play old gooseberry with both receipts. When you begin Your summer fun, three times a week, at eight, And carriages roll up, and cits roll in, I feel a change in Exeter 'Change's change. And, dash my trunk! I hate To ring my bell, when you ring yours, and go, With a diminish'd glory through my show! It is most strange; But crowds that meant to see me eat a stack, And sip a water-butt or so, and crack A root of mangel-wurzel with my foot, Eat little children's fruit, Pick from the floor small coins, And then turn slowly round and show my India-rubber loins: 'Tis strange -- most strange, but true, That these same crowds seek you! Pass my abode and pay at your next door! It makes me roar With anguish when I think of this; I go With sad severity my nightly rounds Before one poor front row, My fatal funny foe! And when I stoop, as duty bids, I sigh And feel that, while poor elephantine I Pick up a sixpence, you pick up the pounds! Could you not go? Could you not take the Coburg or the Surrey? Or Sadler's Wells, -- (I am not in a hurry, I never am!) for the next season? -- oh! Woe! woe! woe! To both of us, if we remain; for not In silence will I bear my altered lot, To have you merry, sir, at my expense; No man of any sense, No true great person (and we both are great In our own ways) would tempt another's fate. I would myself depart In Mr. Cross's cart; But, like Othello, "am not easily moved." There's a nice house in Tottenham Court, they say, Fit for a single gentleman's small play; And more conveniently near your home; You'll easily go and come. Or get a room in the City -- in some street -- Coachmakers' Hall, or the Paul's Head, Cateaton Street; Any large place, in short, in which to get your bread, But do not stay, and get Me into the Gazette! Ah! The Gazette! I press my forehead with my trunk, and wet My tender cheek with elephantine tears, Shed of a walnut size From my wise eyes, To think of ruin after prosperous years. What a dread case would be For me -- large me! To meet at Basinghall Street, the first and seventh And the eleventh! To undergo (D ---------- n!) My last examination! To cringe, and to surrender, Like a criminal offender, All my effects -- my bell-pull, and my bell, My bolt, my stock of hay, my new deal cell. To post my ivory, Sir! And have some curious commissioner Very irreverently search my trunk; 'Sdeath! I should die With rage, to find a tiger in possession Of my abode; up to his yellow knees In my old straw; and my profound profession Entrusted to two beasts of assignees! The truth is simply this, -- if you will stay Under my very nose, Filling your rows Just at my feeding time, to see your play, My mind's made up, No more at nine I sup, Except on Tuesdays, Wednesdays, Fridays, Sundays, From eight to eleven, As I hope for heaven, On Thursdays, and on Saturdays, and Mondays, I'll squeak and roar, and grunt without cessation, And utterly confound your recitation. And, mark me! all my friends of the furry snout Shall join a chorus shout: We will be heard -- we'll spoil Your wicked ruination toil. Insolvency must ensue To you, Sir, you; Unless you move your opposition shop, And let me stop. I have no more to say: -- I do not write In anger, but in sorrow; I must look, However, to my interests every night, And they detest your "Memorandum-book." If we could join our forces -- I should like it; You do the dialogue, and I the songs. A voice to me belongs; (The Editors of the Globe and Traveller ring With praises of it, when I hourly sing God save the King.) If such a bargain could be schemed, I'd strike it! I think, too, I could do the Welch old man In the Youthful Days, if dress'd upon your plan; And the attorney in your Paris trip, -- I'm large about the hip! Now think of this! -- for we cannot go on As next door rivals, that my mind declares: I must be pennyless, or you be gone! We must live separate, or else have shares. I am a friend or foe As you take this; Let me your profitable hubbub miss, Or be it "Matthews, Elephant, and Co.!" | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...CALLAVERIA RUSTICANA by LISEL MUELLER COME BACK, MISS MOFFO, WE LOVE YOU by EDWARD FIELD FINNISH OPERA by BARBARA GUEST THE WANDERER: 2. IN FRANCE: AUX ITALIENS by EDWARD ROBERT BULWER-LYTTON MATINEES by JAMES INGRAM MERRILL |
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