Classic and Contemporary Poetry
THE TENT ON THE BEACH: 1, by JOHN GREENLEAF WHITTIER Poet Analysis Poet's Biography First Line: I would not sin, in this half-playful strain Last Line: "we'll pitch this tent of ours in type another year." Subject(s): Fields, James T. (1817-1881); New Hampshire; Seashore; Taylor, Bayard (1825-1878); Beach; Coast; Shore | ||||||||
I WOULD not sin, in this half-playful strain, -- Too light perhaps for serious years, though born Of the enforced leisure of slow pain, -- Against the pure ideal which has drawn My feet to follow its far-shining gleam. A simple plot is mine: legends and runes Of credulous days, old fancies that have lain Silent from boyhood taking voice again, Warmed into life once more, even as the tunes That, frozen in the fabled huntinghorn, Thawed into sound: -- a winter fireside dream Of dawns and sunsets by the summer sea, Whose sands are traversed by a silent throng Of voyagers from that vaster mystery Of which it is an emblem; -- and the dear Memory of one who might have tuned my song To sweeter music by her delicate ear. When heats as of a tropic clime Burned all our inland valleys through, Three friends, the guests of summer time, Pitched their white tent where sea-winds blew. Behind them, marshes, seamed and crossed With narrow creeks, and flower-embossed, Stretched to the dark oak wood, whose leafy arms Screened from the stormy East the pleasant inland farms. At full of tide their bolder shore Of sun-bleached sand the waters beat; At ebb, a smooth and glistening floor They touched with light, receding feet. Northward a green bluff broke the chain Of sand-hills; southward stretched a plain Of salt grass, with a river winding down, Sail-whitened, and beyond the steeples of the town, -- Whence sometimes, when the wind was light And dull the thunder of the beach They heard the bells of morn and night Swing, miles away, their silver speech. Above low scarp and turf-grown wall They saw the fort-flag rise and fall; And, the first star to signal twilight's hour, The lamp-fire glimmer down from the tall light-house tower. They rested there, escaped awhile From cares that wear the life away, To eat the lotus of the Nile And drink the poppies of Cathay, -- To fling their loads of custom down, Like drift-weed, on the sand-slopes brown, And in the sea-waves drown the restless pack Of duties, claims, and needs that barked upon their track. One, with his beard scarce silvered, bore A ready credence in his looks, A lettered magnate, lording o'er An ever-widening realm of books. In him brain-currents, near and far, Converged as in a Leyden jar; The old, dead authors thronged him round about, And Elzevir's gray ghosts from leathern graves looked out. He knew each living pundit well, Could weigh the gifts of him or her, And well the market value tell Of poet and philosopher. But if he lost, the scenes behind, Somewhat of reverence vague and blind, Finding the actors human at the best, No readier lips than his the good he saw confessed. His boyhood fancies not outgrown, He loved himself the singer's art; Tenderly, gently, by his own He knew and judged an author's heart. No Rhadamanthine brow of doom Bowed the dazed pedant from his room; And bards, whose name is legion, if denied, Bore off alike intact their verses and their pride. Pleasant it was to roam about The lettered world as he had done, And see the lords of song without Their singing robes and garlands on. With Wordsworth paddle Rydal mere, Taste rugged Elliott's home-brewed beer, And with the ears of Rogers, at fourscore, Hear Garrick's buskined tread and Walpole's wit once more. And one there was, a dreamer born, Who, with a mission to fulfil, Had left the Muses' haunts to turn The crank of an opinion-mill, Making his rustic reed of song A weapon in the war with wrong, Yoking his fancy to the breaking-plough That beam-deep turned the soil for truth to spring and grow. Too quiet seemed the man to ride The winged Hippogriff Reform; Was his a voice from side to side To pierce the tumult of the storm? A silent, shy, peace-loving man, He seemed no fiery partisan To hold his way against the public frown, The ban of Church and State, the fierce mob's hounding down. For while he wrought with strenuous will The work his hands had found to do, He heard the fitful music still Of winds that out of dream-land blew. The din about him could not drown What the strange voices whispered down; Along his task-field weird processions swept, The visionary pomp of stately phantoms stepped. The common air was thick with dreams, -- He told them to the toiling crowd; Such music as the woods and streams Sang in his ear he sang aloud; In still, shut bays, on windy capes, He heard the call of beckoning shapes, And, as the gray old shadows prompted him, To homely moulds of rhyme he shaped their legends grim. He rested now his weary hands, And lightly moralized and laughed, As, tracing on the shifting sands A burlesque of his paper-craft, He saw the careless waves o'errun His words, as time before had done, Each day's tide-water washing clean away, Like letters from the sand, the work of yesterday. And one, whose Arab face was tanned By tropic sun and boreal frost, So travelled there was scarce a land Or people left him to exhaust, In idling mood had from him hurled The poor squeezed orange of the world, And in the tent-shade, sat beneath a palm, Smoked, cross-legged like a Turk, in Oriental calm. The very waves that washed the sand Below him, he had seen before Whitening the Scandinavian strand And sultry Mauritanian shore. From ice-rimmed isles, from summer seas Palm-fringed, they bore him messages; He heard the plaintive Nubian songs again, And mule-bells tinkling down the mountain-paths of Spain. His memory round the ransacked earth On Puck's long girdle slid at ease; And, instant, to the valley's girth Of mountains, spice isles of the seas, Faith flowered in minster stones, Art's guess At truth and beauty, found access; Yet loved the while, that free cosmopolite, Old friends, old ways, and kept his boyhood's dreams in sight. Untouched as yet by wealth and pride, That virgin innocence of beach: No shingly monster, hundred-eyed, Stared its gray sand-birds out of reach; Unhoused, save where, at intervals, The white tents showed their canvas walls, Where brief sojourners, in the cool, soft air, Forgot their inland heats, hard toil, and year-long care. Sometimes along the wheel-deep sand A one-horse wagon slowly crawled, Deep laden with a youthful band, Whose look some homestead old recalled; Brother perchance, and sisters twain, And one whose blue eyes told, more plain Than the free language of her rosy lip, Of the still dearer claim of love's relationship. With cheeks of russet-orchard tint, The light laugh of their native rills, The perfume of their garden's mint, The breezy freedom of the hills, They bore, in unrestrained delight, The motto of the Garter's knight, Careless as if from every gazing thing Hid by their innocence, as Gyges by his ring. The clanging sea-fowl came and went, The hunter's gun in the marshes rang; At nightfall from a neighboring tent A flute-voiced woman sweetly sang. Loose-haired, barefooted, hand-in-hand, Young girls went tripping down the sand; And youths and maidens, sitting in the moon, Dreamed o'er the old fond dream from which we wake too soon. At times their fishing-lines they plied, With an old Triton at the oar, Salt as the sea-wind, tough and dried As a lean cusk from Labrador. Strange tales he told of wreck and storm, -- Had seen the sea-snake's awful form, And heard the ghosts on Haley's Isle complain, Speak him off shore, and beg a passage to old Spain! And there, on breezy morns, they saw The fishing-schooners outward run, Their low-bent sails in tack and flaw Turned white or dark to shade and sun. Sometimes, in calms of closing day, They watched the spectral mirage play, Saw low, far islands looming tall and nigh, And ships, with upturned keels, sail like a sea the sky. Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain. And when west-wind and sunshine warm Chased out to sea its wrecks of storm, They saw the prismy hues in thin spray showers Where the green buds of waves burst into white froth flowers. And when along the line of shore The mists crept upward chill and damp, Stretched, careless, on their sandy floor Beneath the flaring lantern lamp, They talked of all things old and new, Read, slept, and dreamed as idlers do; And in the unquestioned freedom of the tent, Body and o'er-taxed mind to healthful ease unbent. Once, when the sunset splendors died, And, trampling up the sloping sand, In lines outreaching far and wide, The white-maned billows swept to land, Dim seen across the gathering shade, A vast and ghostly cavalcade, They sat around their lighted kerosene, Hearing the deep bass roar their every pause between. Then, urged thereto, the Editor Within his full portfolio dipped, Feigning excuse while searching for (With secret pride) his manuscript. His pale face flushed from eye to beard, With nervous cough his throat he cleared, And, in a voice so tremulous it betrayed The anxious fondness of an author's heart, he read: CONTINUATION OF THE NARRATIVE, After "The Wreck of the Rivermouth" "Well!" said the Man of Books, "your story Is really not ill told in verse. As the Celt said of purgatory, One might go farther and fear worse." The Reader smiled; and once again With steadier voice took up his strain, While the fair singer from the neighboring tent Drew near, and at his side a graceful listener bent. CONTINUATION OF THE NARRATIVE, After "The Grave by the Lake" He paused and questioned with his eye The hearers' verdict on his song. A low voice asked: "Is't well to pry Into the secrets which belong Only to God? - The life to be Is still the unguessed mystery: Unscaled, unpierced the cloudy walls remain, We beat with dream and wish the soundless doors in vain. "But faith beyond our sight may go." He said: "The gracious Fatherhood Can only know above, below, Eternal purposes of good. From our free heritage of will, The bitter springs of pain and ill Flow only in all worlds. The perfect day Of God is shadowless, and love is love alway." "I know," she said, "the letter kills; That on our acrid fields of strife, And heat of clashing texts distils The dew of spirit and of life. But, searching still the written Word, I fain would find, Thus saith the Lord, A voucher for the hope I also feel That sin can give no wound beyond love's power to heal." "Pray," said the Man of Books, "give o'er A theme too vast for time and place. Go on, Sir Poet, ride once more Your hobby at his old free pace. But let him keep, with steep discreet, The solid earth beneath his feet. In the great mystery which around us lies, The wisest is a fool, the fool Heaven-helped is wise." The Traveller said: "If songs have creeds, Their choice of them let singers make; But Art no other sanction needs Than beauty for its own fair sake. It grinds not in the mill of use, Nor asks for leave, nor begs excuse; It makes the flexible laws it deigns to own, And gives its atmosphere its color and its tone. "Confess, old friend, your asutere school Has left your fancy little chance; You square to reason's rigid rule The flowing outlines of romance. With conscience keen from exercise And chronic fear of compromise, You check the free play of your rhymes, to clap A moral underneath, and spring it like a trap." The sweet voice answered: "Better so Than bolder flights that know no check; Better to use the bit, than throw The reins all loose on fancy's neck. The liberal range of Art should be The breath of Christian liberty, Restrained alone by challenge and alarm Where its charmed footsteps tread the border land of harm. "Beyond the poet's sweet dream lives The eternal epic of man. He wisest is who only gives, True to himself, the best he can; Who, drifting in the winds of praise, The inward monitor obeys; And, with the boldness that confesses fear, Takes in the crowded sail, and lets his conscience steer. "Thanks for the fitting word he speaks, Nor less for doubtful word unspoken, For the false model that he breaks, As for the moulded grace unbroken; For what is missed and what remains, For losses which are truest gains, For reverence conscious of the Eternal eye, And truth too fair to need the garnish of a lie." Laughing, the Critic bowed. "I yield The point without another word; Who ever yet a case appealed Where beauty's judgment had been heard? And you, my good friend, owe to me Your warmest thanks for such a plea, As true withal as sweet. For my offence Of cavil, let her words be amble recompense." Across the sea one lighthouse star, With crimson ray that came and went, Revolving on its tower afar, Looked through the doorway of the tent. While outward, over sand-slopes wet, The lamp flashed down its yellow jet On the long wash of waves, with red and green Tangles of weltering weed through the white foam-wreaths seen. "'Sing while we may, - another day May bring enough of sorrow;' - thus Our Traveller in his own sweet lay, His Crimean camp-song, hints to us," The lady said. "So let it be; Sing us a song," exclaimed all three. She smiled: "I can but marvel at your choice To hear our poet's words through my poor borrowed voice." Her window opens to the bay, On glistening light or misty gray, And there at dawn and set of day In prayer she kneels. "Dear Lord!" she saith, "to many a home From wind and wave the wanderers come; I only see the tossing foam Of stranger keels. "Blown out and in by summer gales, The stately ships, with crowded sails, And sailors leaning o'er their rails, Before me glide; They come, they go, but nevermore, Spice-laden from the Indian shore, I see his swift-winged Isidore The waves divide. "O Thou! with whom the night is day And one the near and far away, Look out on yon gray waste, and say Where lingers he. Alive, perchance, on some lone beach Or thirsty isle beyond the reach Of man, he hears the mocking speech Of wind and sea. "O dread and cruel deep, reveal The secret which thy waves conceal, And, ye wild sea-birds, hither wheel And tell your tale. Let winds that tossed his raven hair A message from my lost one bear, - Some thought of me, a last fond prayer Or dying wail! "Come, with your dreariest truth shut out The fears that haunt me round about; O God! I cannot bear this doubt That stifles breath. The worst is better than the dread; Give me but leave to mourn my dead Asleep in trust, and hope, instead Of life in death!" It might have been the evening breeze That whispered in the garden trees, It might have been the sound of seas That rose and fell; But, with her heart, if not her ear, The old loved voice she seemed to hear: "I wait to meet thee: be of cheer For all is well!" The sweet voice into silence went, A silence which was almost pain, As through it rolled the long lament, The cadence of the mournful main. Glancing his written pages o'er. The Reader tried his part once more; Leaving the land of hackmatack and pine For Tuscan valleys glad with olive and vine. CONTINUATION OF THE NARRATIVE After "The Brother of Mercy" The Traveller broke the pause. "I've seen The Brothers down the long street steal, Black, silent, masked, the crowd between, And felt to doff my hat and kneel With heart, if not with knee, in prayer, For blessings on their pious care." The Reader wiped his glasses: "Friends of mine, We'll try our home-brewed next, instead of foreign wine." CONTINUATION OF THE NARRATIVE, After "The Changeling" Here is a rhyme: I hardly dare To venture on its theme worn out; What seems so sweet by Doon and Ayr Sounds simply silly hereabout; And pipes by lips Arcadian blown Are only tin horns at our own. Yet still the muse of pastoral walks with us, While Hosea Biglow sings, our new Theocritus. CONTINUATION OF THE NARRATIVE After "Kallundborg Church" "What," asked the Traveller, "would our sires, The old Norse story-tellers, say Of sun-graved pictures, ocean wires, And smoking steamboats of to-day? And this, O lady, by your leave, Recalls your song of yester eve: Pray, let us have that Cable-hymn once more." "Hear, hear!" the Book-man cried, "the lady has the floor. "These noisy waves below perhaps To such a strain will lend their ear, With softer voice and lighter lapse Come stealing up the sands to hear, And what they once refused to do For old King Knut accord to you. Nay, even the fishes shall your listeners be, As once, the legend runs, they heard St. Anthony." CONTINUATION OF THE NARRATIVE After "The Cable" "Glad prophecy! to this at last," The Reader said, "shall all things come. Forgotten be the bugle's blast, And battle-music of the drum. A little while the world may run Its old mad way, with needle-gun And ironclad, but truth, at last, shall reign; The cradle-song of Christ was never sung in vain!" Shifting his scattered papers, "Here," He said, as died the faint applause, "Is something that I found last year Down on the island known as Orr's. I had it from a fair-haired girl Who, oddly, bore the name of Pearl (As if by some droll freak of circumstance), Classic, or wellnigh so, in Harriet Stowe's romance." CONTINUATION OF THE NARRATIVE After "The Palatine" "A fitter tale to scream than sing," The Book-man said. "Well, fancy, then," The Reader answered, "on the wing The sea-birds shriek it, not for men, But in the ear of wave and breeze!" The Traveller mused: "Your Manisees Is fairy-land: off Narragansett shore Who ever saw the isle or heard its name before? "'Tis some strange land of Fly-away, Whose dreamy shore the ship beguiles; St. Brandan's in its sea-mist gray, Or sunset loom of Fortunate Isles!" "No ghost, but solid turf and rock Is the good island known as Block," The Reader said. "For beauty and for ease I chose its Indian name, soft-flowing Manisees! "But let it pass; here is a bit Of unrhymed story, with a hint Of the old preaching mood in it, The sort of sidelong moral squint Our friend objects to, which has grown, I fear, a habit of my own. 'Twas written when the Asian plague drew near, And the land held its breath and paled with sudden fear." CONCLUSION OF THE NARRATIVE After "The Worship of Nature" The singer ceased. The moon's white rays Fell on the rapt, still face of her. "Allah il Allah! He hath praise From all things," said the Traveller. "Oft from the desert's silent nights, And mountain hymns of sunset lights, My heart has felt rebuke, as in his tent The Moslem's prayer has shamed my Christian knee unbent." He paused, and lo! far, faint, and slow The bells in Newbury's steeples tolled The twelve dead hours; the lamp burned low; The singer sought her canvas fold. One sadly said, "At break of day We strike our tent and go our way." But one made answer cheerily, "Never fear, We'll pitch this tent of ours in type another year." | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...SEASHORE by JOHN FREDERICK NIMS EASTERN LONG ISLAND by MARVIN BELL THE WIND IS BLOWING WEST by JOSEPH CERAVOLO IF SOMETHING SHOULD HAPPEN by LUCILLE CLIFTON THE MISSISSIPPI RIVER EMPTIES INTO THE GULF by LUCILLE CLIFTON GEOGRAPHY AS WARNING by MADELINE DEFREES POWER FAILURE by MADELINE DEFREES AMY WENTWORTH; FOR WILLIAM BRADFORD by JOHN GREENLEAF WHITTIER |
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