In open palm the old man cradles his chiseled characters, names them - Arjuna, Hanuman, Sita. We choose among the faces carved to dance in villages holding out their human hands. In two languages we bargain circled by children gawking, giggling at our skins. If we reach out they shrill from our touch equal measures of mock and real fear at the peril of our fairness, a shade for ghosts. The carver's white-haired wife stops me, clasps my pallid hands in hers, dark as the paddy earth she's tilled, and speaks, not in her language but the old colonial tongue, mistaking the disguise of my paleness into her past. I hear warmth, the urgency of sounds her mouth has not formed for thirty years. Her voice flutters in the vibrato of age. I search behind the masquerade of language. Perhaps this is a thirty-year housecleaning of the heart pouring from its chambers all that's not been said so death may enter. She stops, strokes my cheek with one finger. I leave with her naked countenance. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...SONNET: 151 by WILLIAM SHAKESPEARE THE ONE WHITE ROSE by THOMAS BAILEY ALDRICH PATTY MORGAN THE MILKMAID'S STORY: 'LOOK AT THE CLOCK!' by RICHARD HARRIS BARHAM DAWN by MAXWELL STRUTHERS BURT NON EST MEUM, SI MUGIAT AFRICUS MALUS PROCELLIS ... by JOHN BYROM ADDRESS SPOKEN AT THE OPENING OF THE DRURY-LANE THEATRE by GEORGE GORDON BYRON |