Eliot's lesson from Dante that the poet be servant not master of language that he attend craft and stretch his emotional range omits how to begin the awesome first draft. Here technique and emotional veracity count but like young wheat we care less for an act of mind than a good wind and countryside. Birds pipe supper and through the note pleasure somehow translates. Good and good in itself, I have two lovers, one slower than summer, another like a sea comb, empty and full. I hear the old habits of speech, for ex., in this country we say no for yes we bite into a taco at the same time slugging a beer. Alexis, eyes dreams lips and the night goes was Pound's only line I heard for years because in heat its meter undressed me. In empty space magnetic fields exist for no reason. How to use ideas while living a line, happy tension! Quail, a missing cat, a downpour and two hailstorms in one day are equal access to knowledge and join writers in their separate mornings in the beauty of an act you spoke about, placing a candle in a tree. Light in a gravitational field falling turns bluer, the spruce's new needles greener for a poem in the form of an ax. June, July, August three secrets whose time we use as in sleep differently to imagine our sprint and the thrush's fear when the tree falls, your idea about the candle catching fire. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...A SUMMER'S GARDEN by ROBERT FROST THE HOUSEKEEPER by ROBERT FROST SONNET: 8. WHEN THE ASSAULT WAS INTENDED TO THE CITY by JOHN MILTON FOR YOU O DEMOCRACY by WALT WHITMAN ON READING 'VORTICIST POEM ON LOVE' by FRANKLIN PIERCE ADAMS ODES: BOOK 1: ODE 16. TO CALEB HARDINGE, M.D. by MARK AKENSIDE |