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Classic and Contemporary Poetry


A SPANISH ANECDOTE by RICHARD MONCKTON MILNES

Poet Analysis

First Line: IT WAS A HOLY USAGE TO RECORD
Last Line: "AND WE THE COLOURED SHADOWS ON THE WALL."
Subject(s): PAINTINGS AND PAINTERS;

IT was a holy usage to record
Upon each refectory's side or end
The last mysterious Supper of our Lord,
That meanest appetites might upward tend.

Within the convent Palace of old Spain
Rich with the gifts and monuments of Kings,
Hung such a picture, said by some to reign
The sovereign glory of those wondrous things.

A Painter of far fame, in deep delight,
Dwelt on each beauty he so well discerned,
While, in low tones, a grey Geronomite
This answer to his ecstasy returned.

"Stranger! I have received my daily meal
In this good company, now threescore years,
And Thou, whoe'er Thou art, canst hardly feel
How Time these lifeless images endears.

"Lifeless, -- ah! no: both Faith and Art have given
That passing hour a life of endless rest,
And every soul who loves the food of Heaven
May to that table come a welcome guest:

"Lifeless, -- ah! no: while in mine heart are stored
Sad memories of my brethren dead and gone,
Familiar places vacant round @3our@1 board,
And still @3that@1 silent Supper lasting on;

"While I review my youth, -- what I was then, --
What I am now, and ye, beloved ones all!
It seems as if @3these@1 were the living men,
And @3we@1 the coloured shadows on the wall."



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