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Classic and Contemporary Poetry


DOMESTICITY by CHARLES WILLIAMS

First Line: IS IT KNOWLEDGE, IS IT KNOWLEDGE ONLY AND FEAR
Last Line: HAVING NO HOUSE TO INHABIT BUT THIS OF OUR DEAD.
Subject(s): CEMETERIES; DEATH; GRAVES; MEMORY; GRAVEYARDS; DEAD, THE; TOMBS; TOMBSTONES;

IS it knowledge, is it knowledge only and fear
Lest one chance of many should bring this body at last
To burning or drowning? or exile from its dear
Companions and instruments, locked in a prison cell?

Fear or more than fear? O Earth's body, what pain
Tightens the whole fine nervous web? what ache
In the torn bloody past twitches our brain?
Is it in the mind alone that memory lives?

Now when at morning the house turns round to the sun,
All the dead life that lay through the dark at the back of our minds
Stirs, and ghosts in the visible world have begun
Anew to occupy eyes left vacant by sleep.

Without and within sleep parts from the world in a moan
Of universal memory, presences dwelling alive
In the wrathful elements, victims whose hurt we condone
Using the means whereby they were brought to doom.

Naiads and pretty gnomes, where are you, and brave
Salamanders? when did our perishing fancy leave
Its early delight in hearth and spring and cave?
Or were you in truth no more than an antique dream?

No, no, you were; but races die: you died
When another people thronged the streams and groves,
Gay with no dances; you ceased before the tide
Of mortal sorrow; now you are seen no more.

Our colonies reached your lands; you too mankind
Seized for his vengeance first, and then by his pain;
You, to the hate which his gloomy heart designed,
Involuntarily, injuriously compelled.

One and indivisible, man, man whose whole power
Is drawn to the smallest act of his smallest child,
Man haunted by himself for ever, man lords you this hour.
Seek you some other country! gentles, farewell.

His purpose, his past, my doleful body shares,
Morning by morning accepting the terrible sun,
Bathing or lighting a fire or going downstairs
What old companions crowd us, see, in our first need!

Unseen, ineluctable, those whom Morgan's blades
Pricked from the ship's side, Margaret Wilson, or they
Of France and Couthon, the stripped and bound noyades,
Floating for ever wherever water flows.

Water's cool refreshment refreshed not them:
Cleansed we arise,—cleansed and the more defiled
By obscene currents of death no oblivion can stem
Or distil from the general river, clogged and unclean.

And when we set match to the fire, the small flames scorch
Something other than wood: what inaudible cry
Rends my dumb spirit! 'twas thus they put the torch
To Joan's fire or Du Moulay's,—thus? no, with this.

This has lit Ridley's candle, here Smithfield pours
A red glare outward: my silent lips shout with the mob
Where to-day in the West a screaming negro endures
The last pains of death, and my food is cooked at his fire.

You at least, my walls, are kind; in this recess
Where the laden bookshelves from floor to ceiling rise,
Comforting evasions, here need I fear no distress,—
Though the depth is enough to hold a man bound to the wall;

And my book weighs heavy as a stone, and the cornice expands
Into curves of Babylon or Oudh, and eyes glimmer there
Through the last gap left unfilled by the eunuchs' hands,
And I thrust the stone hastily in and turn and go.

Where? for the very wallpaper stares straight ahead,
Seeming neither to whisper nor wink but to speak all the time
How beneath it the mortar is bloodily streaked, and what dead
It hides. To the nurseries or to the cellars? where?

Bars of cots and nurseries only renew
In the tender care of love a most bitter care
To hold Bajazet safe, Buchan, or La Balue;
Soft the bars rustle together and thus they say:

'Hold fast, brother, fast: though little fingers
Seem to clasp us a ghostly hand is there,
Clutching us over them, and between us lingers
A ragged shape and shuffling feet of despair.'

And beyond the steps to our cellars, when down we steal,
A door opens on darkness,—we almost tread
On the dying prisoners, lice-eaten, whom the Bastille
Held or the Tower or the Tullianum: one turn—

And lo through a secret chink between time and space
We shall come out afar in the Cocytëan South,
Lost for ever, turning a haggard face
On Tasman's rocks or the gunboat-guarded Bay.

Immortal foundations! unopened dungeons! here still
Hate steams like a pestilence upward, though far above
They build the millennium in storied peace and goodwill,
And men walk civilly,—but there they shall not forget;

They shall not forget the slain; they shall not awake
Or lie down in joy, but all their delicate lives
They, unforgiven, shall loathe for these others' sake,
Having no house to inhabit but this of our dead.



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