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Discover our Poem Explanations and Poet Analyses!Searching... Author: HEJINIAN, LYN Matches Found: 224 Hejinian, Lyn Poet's Biography poems available by this author A BORDER COMEDY: BOOK 1 Poem Text First Line: All the clouds can feel our bodies change Last Line: Until the senses, overburdened, require that we sleep ALL SENTENCES ABOUT THE SENSE Last Line: It's relevant-though a person %is implicated in the process %it keeps in sight ALLOWING LOZENGE IS NOT Last Line: Whole sequences of perception like %water sliding in the cold AND YOUR CHEEKS! Last Line: The side of a smile %covered by the cheek %the pleasure however unchecked ANGER IS STORAGE, WITH TIME'S Last Line: The clock in it with %which we never socialize %too little danger, too much %love ARE YOU A REAL MOTHER? Last Line: Light forms nyopia, revolving %it's all peripheral %the throttles of the light's %referring ARE YOU ELATED? Last Line: Myopia isn't laborious %elated at a space in %an end-to-end situation AT X O'CLOCK I SHOOK Last Line: The universe is endless but %it splashes out unexpectedly %and my fate is convex %like an eyeball AVARICE CULMINATED IN EXPLANATION...THE Last Line: I could not remain long %from home...For sight and %cell BEAUTIFUL SEA OF A Last Line: Aesthetic discoveries are themselves a %theory made with belligerence %blue BEST WORDS GET SAID FREQUENTLY Last Line: No doubt for whom r would have released a flock of red canaries BONE OF COMMUNICATION IS Last Line: The state of consciousness is %transformed into a single will, %into several wills %a million wills BOOK OF 1000 EYES, SELS. BULK AND SEEDS-THEY TIME Last Line: Everything gripped by the world, %or by a small part %of it CAN YOU DRAW A DOG Last Line: If there is a nice %science it is my principle %there's nothing about it that %I can't describe CELL CANNOT BOAST STABLE Last Line: And the person is behaving %in a drifting skin-the %future %it isn't a verification CELL, SELS. CHILD TEARS THE BUG Last Line: Memory of a picture of %metamorphosis %if there were continuity some %of it could absorb this CHILDREN NOW ADMIT THAT THEY ARE VIOLENT Last Line: As long as the streets provide her with a theater for exaggeration CLEAR LISTENER, KEPT AWAKE AND Last Line: The population of thrushes flushed, %while whistling while scarlet while %leaving CLOG HOURS MEASURE, THAT BROAD Last Line: More, one small change, pushing %the continuity of all that's %in range COLD IMPLODES AND MY Last Line: And frustrating %the experience that is not %necessarily there COLOR COULD NOT HEAL ONE Last Line: The child who shot it %many women shopping and they %will watch out to know %the butcher's name COMMENCEMENT OF METEROLOGY IS Last Line: Then weather, then libido %the middle and its sublimity %thebigness and brightness of %a lull CONSTANT CHANGE FIGURES Poem Text Last Line: Passing on its effect / is experience Subject(s): Time; Change CROSSING IS VERY SOFT Last Line: Synchrony is a form of %cruelty %the lover of nature is %afraid %nature cannot protect impressions CROWD IS BLOWING IN Last Line: There is too much content %in oblivion %so much conscientiousness which is %how romantic CUTTING OFF THE HORIZONTALS-LANGUAGE Last Line: And there are too few %moments %the impossibility of solitude occurs %because of that nervousness DESCRIPTION OF HAZARD, THEORY Last Line: So it's inevitable to wait, %to be punctual %so it's a theory of %duration DISTANCE First Line: Banned from ships as if I were fate herself, I nonetheless long hankered Last Line: But my thoughts of things go on without them DO YOU PATROL? OUTSIDE THE Last Line: A unit of space so %small it seems to be %going backwards DOGS RESPONDED POSITIVELY Last Line: A human dream in the %attended bed, a human touch %embraced by predictions %by conservations DREAMS ARE PERFECT-IT'S ILLOGICAL Last Line: A voice under the dream %and reality develops %an invisible reality ELEGY Poem Text First Line: I am writing now in preconceptions Last Line: It must be beautiful and it can't be free Subject(s): Imagination; Fancy ELEVEN EYES: FINAL SECTION Poem Text Recitation First Line: The spoons have clattered Last Line: None of this is true Subject(s): Time EMOTIONS CAN BE VANDALIZED Last Line: To dream with mobility is %almost impossible-knot by knot %-to dream in achieving repetition EXHALATION SHOULD OR SHOULDN'T Last Line: There are no unemployed noises, %no noises without things %there is more noise than %there are thing EXPLORATION TAKES EXTRA WORDS Last Line: Objectivities and metonymies %but one can't die %sex sexes scale and flies %faithful to the ground EXPLORER IS INCLINED TO Last Line: Of summer-everything only a %moment of priority %and the propriety of the %mouth with though in it EYEBALL-TO-EYEBALL, A SMALL SPOT, AND Last Line: Dream %its theory is good observation %but poor prediction FABLE First Line: A magnificent travelling owl stood on a fine long branch in Last Line: Fourth moral: various women writers will take up the philosophical quest for uncertainty FAMILIARIZATION IS NOT GOOD-IT Last Line: The face is lucky, fingers %have their own body, the %tongueanother FERN ROOTED IN ASH Last Line: Mother-equivalence is naturally desired %in small contrasts %in situation %in practice FIREFIGHTERS-CONVENTIONAL DEVICES-PASSING IN Last Line: I'd a spoon in my %right hand with which I %was making impressions %time has the las word %and expla FLYING STATUE First Line: Limb on limb %things can often change FOR EXAMPLE SAYING SO IS Last Line: A smoke in the pot %and a second smoke, a %blue one FROM A BORDER COMEDY First Line: A tale draws %follows Last Line: I lie where I am dreaming and seem to be dreamed %in reach %reached FUTURE WILL BE VISIBLE Last Line: A part, and a body %particle to which we've deduced %poetry GOVERNMENT IS DIZZY WITHOUT CAPITALS Last Line: What do you suspect %the imagination is congested by %irritations of the sex GUARD, SELS. Subject(s): Language Poetry HAPPILY Poem Text Recitation by Author First Line: The manner in which we are present at this time to and fro Last Line: To make sense to others Subject(s): Happiness; Joy; Delight HAPPILY First Line: Constantly I write this happily Last Line: That may be the thing and logically we go when it departs HEFTY AND CONJUGAL-COME OVER Last Line: Minutes are intermittent widths to %keep us separate but always %filled by their hefty and %provocat HER GLASS BALLOON AND ON Last Line: And the sun its wife %an ant on every one %of its hairs I CANNOT SEPARATE LUCIDITY FROM Last Line: A spasm of oblivion %when you know what to %do, it is ambition I CARRY MY THOUGHTS IN Last Line: Back to the beginning, back %to the background %the while I CLOSED MY MIND Last Line: The world is short %the clouds are skin %a person has deliberately to %keep all that can be %seen in I COULD THINK Last Line: Their code, their shorthand bells' I GET MORTALLY WARMED UP Last Line: A prediction-as of extreme %cold in oncoming excitement %theperson for its chance %of enhancement I HAD NEVER REALLY FELT Last Line: Immodestly nagging unhappily while in %actuality happy %in actuality actuality I MEET MYSELF RARELY TO Last Line: The information is like a %balmy palpitation %I like everything at a %level below its name I SEE CLOUDS TO DO, Last Line: The eye of the passenger %in the moving car can't %rest on anything, it is %shorter than reality I WOKE MYSELF WHEN THE Last Line: The glimpse of the ghost %of the life it will %lead %to a person I'M BEING INAPPROPRIATE AGAIN Last Line: It is anatomical to repeat %but the time isn't right %the times aren't the same %so poetry isn't a r IF IT'S LIGHT, IT IS DAY, IF IT'S DAY, IT IS LIGHT Last Line: At least well enough, thanks IF REALITY IS SIMPLY THAT Last Line: Upright until partially blinded %of anything that is, there %might be more IF YESTERDAY WAS AN OLD Last Line: On our cheeks! The solid %earth! The actual world! The %common sense! %who are we? Where are %we? IN THE DARK SKY THERE Last Line: It is a question of %scale %it is erotic when parts %exceed their scale IN THE LIGHT OF THE Last Line: Them friendly and indigenous where %they sleep %they are washing their weight %for sleep INDECISION Last Line: By moisture, by posture %the faces where it'll always %be of things again INERT WIND THROUGH THE TREES Last Line: Beyond compare-so there's something %sexual %then something gradual ISOLATION WHICH CAN'T BE Last Line: An orifice through which sky %flows %pleasure is stubborn, in retrospect %nowhere to end IT IS OBSTRUCTIVE TO BE Last Line: Two people cannot be bare %at the same time because %they have to exchange visibility IT IS SOFT TO BE Last Line: It is memory that's the %opposition in thinking to what %youread IT IS THE WRITER'S OBJECT Last Line: There are concavities %it is not imperfect to have died IT RAINS HERE IN WINTER Last Line: Its objects are phenomenal %the will is a great %trilogy JITTERS OCCUR IN THE TRANSFER Last Line: For the sake of my %eyes I fake deafness %then how much time is %excess LAUGHING (IT BEING RESILIENT TO Last Line: I followed the sound but %the thing was gone %for society I now have %you LINES IN MEDITATION-OR INSPECTION Last Line: There was a mouth opening %there in pure assent %many self-consciousnesses-the territory stalled, %c LOVE HAS ITS HISTORY Last Line: Every kilometer would start at %a tuning hub %the broad inductive velocity would %sweep my large soc LOVE IS AN UNFINISHED FORM Last Line: It exceeds with only a %brief stay between dawn and %division %love 'explains things only to %us' LOVE IS THE STRANDED TICKING, Last Line: It would be a fault, %an impatience %a fault of the eyes %themselves LOVE SUBSTANTIATES COMEDY Last Line: Its sex is like a %human hilarity for building %so it must show itself MANY PARTS OF EXPERIENCE DISPLACE Last Line: It comes only in part %in parts %because of what women like %in metonym MENTION RAIN AND GRAMMAR FOLLOWS Last Line: Time itself is a querulous %privilege of form %a false or drenched derivation MY DESCRIPTION IS APPREHENSIVE Last Line: The shift %revolving, moving for enormity %for onlook, color MY HEAD, IT IS A Last Line: In short, I promised to %be here and here I %am to be found %to add a head %and hear the landscape MY LIFE, SELS. Subject(s): Language Poetry MY LIFE: A NAME TRIMMED WITH COLORED RIBBONS Poem Text First Line: They are seated in the shadows MY LIFE: AS FOR WE WHO LOVE TO BE ASTONISHED Poem Text First Line: You spill the sugar when you lift the spoon. My father had filled an old Last Line: You cannot determine the nature of progress until you assemble all of the relatives Subject(s): Family Life MY LIFE: ONE BEGINS AS A STUDENT BUT BECOMES A FRIEND OF CLOUDS Poem Text First Line: Back and backward, why, wide and wider. Such that art is inseparable Last Line: Of comprehension in a reader's mind to content in a writer's work. But not bitter Subject(s): Writing & Writers MY LIFE: REASON LOOKS FOR TWO, THEN ARRANGES IT FROM THERE Poem Text First Line: Where I woke and was awake, in the Last Line: Duration. Language makes / tracks Subject(s): Language; Words; Vocabulary MY LIFE: YET WE INSIST THAT LIFE IS FULL OF HAPPY CHANCE Poem Text First Line: The windows were open and the morning air was, by the smell of lilac Last Line: Luck was rid of its clover Subject(s): Conduct Of Life MY METONYMIC BODY PART STANDS Last Line: -with the social address of %a metonymic mental part %an emotion of being a %part MY SINCERE HEAD IS MUFFLED Last Line: There is a repeat but %it's made for response-the %sincerestopportunity to see it NET OF NERVES SPREAD Last Line: The cleft contains the flow %that issues from consummate waking NIGHTS First Line: Ooooh, oooooh, ooooh, says the voice of a girl Last Line: And leave kind ships vitalities by art. %I am untouchable NO ANECDOTE GOES WITH THIS, Last Line: The arboreal others and cultural %ones to see how it %turns back NOISE OF VICISSITUDES, OF Last Line: Poles for the birds %that of which it is %said it is rain %asilent voice sinking high O OBSERVATION! Last Line: Loss of labor, isolation, love %but one finds it just %as one's curious concept of %experience exhib ON WHAT DO THE EYES Last Line: Speak of thoughts changing into %new forms %many thoughts are of no %things ONE THING THAT I THINK Last Line: The air is stalled in %the emotion %the proportion ORIENTATED PERSON WRITING APPEARS Last Line: Even glasmost %the poem can make me %a public discussion of my %causes OXOTA: A SHORT RUSSIAN NOVEL, SELS. OXOTA: A SHORT RUSSIAN NOVEL: CHAPTER 126: THE DOUBTING MAN Poem Text First Line: We had found a pretext for not going out--swarms of such pretexts are here every day to en Last Line: Here that the writer puts his lies Subject(s): Writing & Writers OXOTA: A SHORT RUSSIAN NOVEL: CHAPTER 192 Poem Text First Line: But to return to the theme of the novel and poetry Last Line: "the only ones adequate to the attempt to say nothing Subject(s): Poetry & Poets; Novels & Novelists OXOTA: A SHORT RUSSIAN NOVEL: CHAPTER 259 Poem Text First Line: It's characteristic of a russian novelist to reveal some lack Last Line: "might correspond to what you Subject(s): Russia; Novels & Novelists; Soviet Union; Russians OXOTA: A SHORT RUSSIAN NOVEL: CHAPTER 7 Poem Text First Line: One person believes in nothing and another dislikes poetry Last Line: The old woman still standing in the street Subject(s): Women OXOTA: A SHORT RUSSIAN NOVEL: CHAPTER 80 Poem Text First Line: Two rams, which ram redeemed Last Line: We will believe everything we say Subject(s): Russia; Soviet Union; Russians PATCH OF PSYCHOLOGY BETWEEN Last Line: Dry money hung up after %burial %blade %the word is new for %each successive task PERSON DRIVES, IT IS Last Line: But similar thoughts %in damp air which seems %to carry sounds which identify %with nature when it's PERSON MADE A VIRTUE Last Line: From its death scene, then %being driven psychologically back %diverted PERSON THINKS BY BEING Last Line: There is no sane availability %of the harsh sound in %its wake %the gradual efficiency in its %dream PERSON WITHHOLDS VIOLENCE IN Last Line: The trees are branching between %minerals %if so %and impeded substitution PERSON, SELS. First Line: Let's get isolated PERSON, SELS. First Line: A person is clinging Subject(s): Language Poetry POEM IS A CORRECT Last Line: On close scrutiny it is %at a distant place (the %head) PSYCHE CIRCULATES Last Line: Silica reflecting on the street %at night %on the excerpt of an %attention, a dark outline RAIN IS FALLING OVER, Last Line: A pronounced soup %and a description-please give %me a description RAIN SPLIT THE SOIL Last Line: They abandoned the sound in %large measure to a large %measure %a tissue REALISM, WOMEN, AND INTROSPECTION-WITH Last Line: A thought makes its sentence %its boundless passion, the transformation %the opposition REDO, SELS. Subject(s): Language Poetry RUDE INFINITE SENSE Last Line: Someone else would have-corridors %are sad %without compromising it %corridors are air SCENE OF SOME THINGS Last Line: I don't wake easily from %movies %there is some object of %delay-a discovery which moved %me to tear SEEING AS IF SEEING WERE Last Line: This must be it %memory is the present faintly %motivated SERPENTS TO EAT US-A Last Line: Or passing %a grammarian with legs on %water leaving himself and herself %naked to the waist SEX IS THE JOSTLING OF Last Line: Displacement is not a configuration %but a necessity %the quotidian passes into the %trees SHIFTING DRIZZLE SPRINGS-THERE Last Line: But it was received, and %I must have been expecting %it %itwas where I was %privately sinking SITUATION-WHICH IS A Last Line: Revision-temporal with its hilarity %-if comedy is memory-it%is inadvertently empirical SKIES' BLUES BREAK INVERTED IN Last Line: Tree lusts in vertical holding %descriptive floating clicks in leaf %desire is a visual historian SLEEPS, AUGUST 10 First Line: Jelousy frustrates plans for thinking Last Line: Back fearlessly. The secret was never %a secret at all. So sleep cast self SLEEPS, AUGUST 6 First Line: A dream takes place on a staircase Last Line: (about the nature of language) %we dream to become encyclopedic SLEEPS, AUGUST 6 First Line: Age plus 50 %we are even Last Line: The two sides silent %the number of dead rodents rose %age minus 1 SLEEPS, AUGUST 7 First Line: A sky of walls and walls of table Last Line: It gave a kiss and a pinch and made generosity %with money SLEEPS, AUGUST 8 First Line: One dry night %in three hours Last Line: Retained memory %at a long surrounding %bucket %without indignity SLEEPS, AUGUST 9 First Line: Is it sleepier in summer? Last Line: The bees in sunlgith turn and sew. %is it more black than yellow? SLEEPS, JANUARY 15 First Line: A bed in a feud, just a child tied to a tricycle Last Line: When will it be wet, the wars demand %then when will it be dry, the wars reply SLEEPS, JULY 13 First Line: The thoroughness of my sleep is greater Last Line: Had been broken without disturbing me %and I looked in without embarrassment SLEEPS, JULY 14 First Line: All the swollen lightbulbs had be stolen Last Line: Plunged into the interior %and dinner was irrelevant, inrequent SLEEPS, JULY 23 First Line: With social adjustments we come out Last Line: And you can't take them from the burlesque show %when after dinner it starts to snow SLEEPS, JULY 24 First Line: I'll write and I myself can read and see Last Line: Do I feel that timelss satisfaction? %who can be trusted? SLEEPS, JULY 5 First Line: My slow sleep a thing Last Line: I wwant to tell something but I'm struck %it is eros who sticks to lips SLEEPS, JULY 7 First Line: Then the 23rd night began. Outside the window I heard the si Last Line: I've been forbidden to address a single word to another SLEEPS, JULY 8 First Line: The lower teeth fall out pointing Last Line: Mounting the saddled owl one rode a circle %for love one emptied meaning SLEEPS, JUNE 3 First Line: One hears music and outcries Last Line: Races of the performing sex %the self-contained world of the real is next SLEEPS, JUNE 5 First Line: The bed is made of sentences which present Last Line: Sentences in bed are not describers, they are %instigators SLEEPS, JUNE 6 First Line: From the sky is sleep overturned Last Line: We are dead for stability %we are impersonal in sleeps SLEEPS, JUNE 7 First Line: The wet lynx or spotted rat Last Line: A room, a park, whatever it was %we were carnally irate SLEEPS, JUNE 8 First Line: This morning motionless flashes Last Line: (all government extinguished) %tomorrow night coming near SLEEPS, JUNE 9 First Line: The boy in the wharehouse never goes out Last Line: Midday escapes and evening comes back %it's alone with its crimson leg SLEEPS, MAY 13 First Line: Reposed, inclined, allowed %and always rather liking place Last Line: There is a minimum for which there's place %one tells but cannot recognize SLEEPS, NOVEMER 2 First Line: A man in yellow and the neighbor's dog were roaring Last Line: That the morning was unawar 'up here' %of their every cry. Why the insatiable thrist? SLEEPS, OCTOBER 18 First Line: Each mother too within an egg she won Last Line: For a burst of right and a burst of pleasure %whose tongue was turned to ask what SLEEPS, OCTOBER 8 First Line: Here ruled below and the frogs groaned Last Line: To be troubled by such an orange light %means something goodwill happen %in life SLEEPS: 35 First Line: The first hour of this arrangement of thought Last Line: Or sleep so %sleep late SLEEPS: 39, THE POLAR CIRCLE First Line: The world is between tips Last Line: But persons have their immortality to sacrifice- %and why stop? SLEEPS: 6 First Line: We have come on our own and we'll stay Last Line: So I will say 'I' and sleep - sleep for pressure SLOWLY: I FREQUENTLY SLOWLY WISH Poem Text First Line: I frequently slowly wish for more of the sudden experience Last Line: We get music which is time moving loudly Subject(s): Conduct Of Life; Time SOLID HARBOR, THICK LIQUID TOWN, Last Line: Not an absolute but a %continuum %it darkens and unregenerate darkens SOME MORTALS GO BY ON Last Line: But I feel the anti-anti-sexuality %of looking at the leaves%not me, in light SOME SEE LOUD APPLES FALLING Last Line: They demonstrate similarity or its %reverse, also similarity%your similarity and my similarity %all SOMETHING CRAWLS THOUGH THE WINDOW Last Line: The personality is not panoramic %years in streaks and for %years %wars SONNET FOR MORE First Line: Once there was a wayside weed that pleased those who saw it as Last Line: No! Never! SOUND AND ITS SWALLOW Last Line: And it has rather than %sweet reason sexual difference STAIRS ARE IN A Last Line: Justice (were natural objects evenly %spread) and catharsis %there is absolutely no catharsis SUCH IS THAT WHICH WHEN Last Line: Nakedness, then, is a form %of honor %the delicate original is decisive %it is divided in its %rhyme SURF, PROTEIN, INCENTIVES, LIFE AFTER Last Line: Any of the language which %throw the whole %and all particular choices are %to light or color THE BOOK OF A THOUSAND EYES: A DREAM Poem Text First Line: A dream, still clinging like light to the dark, rounding Last Line: Of life. Sleep is immediate and memory nothing Subject(s): Dreams; Nightmares THE BOOK OF A THOUSAND EYES: I LOVE Poem Text First Line: I love says the acrobat Last Line: And the dirty glass of the jugs of the juggler Subject(s): Family Life; Relatives THE BOOK OF A THOUSAND EYES: THE LOST PINES INN Poem Text First Line: The lost pines inn would be a good name for a motel, or no sheep in the meadow Last Line: P.T. Cruiser that got me home by bedtime Subject(s): Hotels; Inns; Innskeepers; Motels; Boarding Houses THE BOOK OF A THOUSAND EYES: TO ACHIEVE REALITY Poem Text Recitation by Author First Line: To achieve reality (where objects thrive on people's passions), enormous effort Last Line: Troy the foundations of their own societies were crumbling, too THE CELL, SELECTION Poem Text Recitation by Author First Line: It is the writer's object Last Line: It is not imperfect to have died Subject(s): Writing & Writers THE FATALIST: COME OCTOBER Poem Text First Line: Come october, it’s the lake not the border Last Line: But it never rained. At the end of the month, halloween should be clear Subject(s): Time THE FATALIST: HOME Poem Text First Line: Home whose names are produced by motion Last Line: But motion to the composition Subject(s): Disappointment; Time; Nature THE FATALIST: THE BEST WORDS Poem Text First Line: The best words get said frequently—they are like fertile pips Last Line: For whom r would have released a flock of red canaries Subject(s): Language; Books; Words; Vocabulary; Reading THE FATALIST: TIME IS FILLED Poem Text First Line: Time is filled with beginners. You are right. Now Last Line: Full of ruptures could be one from which all kinds of things are flying Subject(s): Poetry & Poets; Time THE FUTURE Recitation by Author Subject(s): Future THERE ARE BOULDERS ALLOWED AMONG Last Line: The soft world is between %rocks %the person of which I %speak of between clocks THERE IS A CHANCE TO Last Line: Droplets on the window throwing %faces %nothing then-with its loud %apples-penetrates the horizon THERE IS A SLOW AND Last Line: One and assume the form %of a pair of eyes %that hour, and just us! %-the system has triumphed THERE IS PLEASURE IN PRODUCING Last Line: Your smile is your sand %it's beginning another pleasure in %the middle of its message THERE WAS A MESSAGE. I GAVE IT Last Line: His hands into the air and shouted a grand affirmation: 'no!' THERE'S A CART AND THERE'S A PEACH Last Line: Just before the new year, which comes with its own set of %ghost stories THINGS ARE WILDLY DISTORTED Last Line: Of the day we'll all be tattered apologies THIS AUGMENTATION OF INFINITY A Last Line: That we too might gradually %arrive at a life, a %whole %which speaks for itself and %has no further THIS EGG IS AN EMOTION Last Line: Thinking is a pleasant incorporation %it is an emotion of %sex where it resembles the %patience in t THIS IS MY FORTRESS CONSCIOUSNESS, Last Line: On me suffusion mounts %where do sounds entering your %ears meet? THIS IS MY SENSE OF Last Line: Arise %there is solitude throughout the %history of literature %and someone in it THIS IS THE FEMALE OPINION Last Line: This specific crisis in consciousness %sex is the pleasure of %inexactitude THIS IS VERY AUTHORITATIVE RAIN Last Line: The future is natural-a %history of ideas THOUGHT CAN'T SOAK APART Last Line: The particular beauty and bathos %of such in orders, stroking %every person sticks up in %its sunbat THREE SECTIONS FROM MY LIFE First Line: If it were writing we would have to explain. I Last Line: Erotic. Luck was rid of its clover TIREDNESS FOR THE MALE AND Last Line: So between spaces there has %to be motion-blue, for %example, or nation TO HAVE OR HAVE NO Last Line: The university distributes quantity qua %quantity %there is money in the %light TREE IS A CONVICTED Last Line: A tree is not distributed %not as actress, not as %theory TWO BODY PARTS WOBBLE AND Last Line: A bird within its range, %within its relativity %a neighborhood wobbling within rain UNDER HER SHIRT ARE TWO Last Line: In a great sexual life %they have no power to %time UNLIKEIT Last Line: The long one in the %rain %it is a hardly possible %pad UNORGANIZED OCTAVE ASHES SCATTERED IN Last Line: Descriptive, and corrupting perceptions %of some eternal, never-ending, everyday %task VERTEBRAE CRACKLE DOWN THE Last Line: Now the woman is singing %just like a large motorcycle %in fact it is intact %when it rains VIEWING ISW A COMPLICATED BEARING Last Line: Overwhelming emotion of accuracy %it is like an emotion %of multiple anatomies WATER IS TO ADMIT THAT Last Line: A person waiting to see %the sea and to sense %its ceaseless first halves WATERS WATER WITH CONSISTENT REFERENCE Last Line: With and down plus who %many are always by moving %with aim WE DESCRIBE A DISTANCE ON Last Line: Blowing portraits, the genital popping %up %other transitions, the ones between WE DON'T UNDERSTAND WHAT WE Last Line: But a person becomes envious %from observation-some things being %unequal so she can't simultaneousl WE MOVE ROUGHLY FROM SEX Last Line: The future is dying %but tomorrow is that to %which the future is unequal WE'VE LIVED OUR YEARS AT Last Line: Convections-time is drawn into %the self %it is swimming after the %smallest rates and sticks WHAT IS THE USE OF Last Line: Last night I saw the %bulging smile %what thinks to move its%use WHEN I GET NERVOUS I'M Last Line: Two persons didn't meet at %different times %they time material, are sexual WHEN I SAY EQUALS I Last Line: My memory equals a narrative %replacement %breasts in place %a person in its places WITH A WAVE OF YOURSELF Last Line: That perpetuation, that nonseparation of %weathers, the additional weights, and %the waiting, unexpe WITH EXTRAORDINARY POPULIST FEROCITY (WITH Last Line: Everyone knows I'm in love %the din is incredible (because %of my present concern for %feminist issu WIVES ARE ANDROGYNOUS WORDS Last Line: To look after it so %far below %passing through all levels of %sanity WOMEN AND MONEY Last Line: Visible, something white behind a %green medium-spring and a%cascade of peas! WONDERFUL MUFFLEDNESS OF THE Last Line: Each memory isn't a thought %that reiterates %my memories are comparisons, even %the short ones WORLD SHOWED AND IT Last Line: Erotic curiosity, of battered paper, %of the paternal typewriter %motherhood is so much information WRITE WORLDWIDE-WITH THE MUSCULAR Last Line: Such is the romance of %the lack of improvement %it is obdurate but not %leisure WRITING IS AN AID TO MEMORY, SELS. Subject(s): Language Poetry WRITING IS AN AID TO MEMORY: 16 Poem Text First Line: Rush to which WRITING IS AN AID TO MEMORY: 17 Poem Text First Line: The bird carries its peck up the branch Last Line: " lighting by trees is beautiful Subject(s): Nature; Language; Words; Vocabulary YESTERDAY I SAW THAT THE Last Line: The entropic virtues (like difference, %longevity, and velocity) %great girth and defense YESTERDAY I SAW THE SUN Last Line: Subjectivity is not a misuse %of substitution %objectivity is not a misunderstanding %of sex YOU MIGHT ANTICIPATE, TO APPREHEND Last Line: Out of it things fell %very close-no time %throughout space confusion-memory, that %separation from YOUR THOUGHTS BELONG MORE WITH Last Line: The sun over from the %cold water gives us a %thrill or an unobtainable form |
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