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Discover our Poem Explanations and Poet Analyses!Searching... Author: WALDROP, KEITH Matches Found: 221 Waldrop, Keith Poet's Biography 221 poems available by this author 71 ELMGROVE AVENUE First Line: Here, and in saint petersburg, one Last Line: And through a desert, anytime, the nile %flows like a dream A ROMANCE Poem Text First Line: The hereditary prince of Last Line: Quite wolgamot and all that ACCIDENTAL NUMBER First Line: Stars, for %example, or atoms Last Line: Time's on its own ACTION A KIND OF IMAGE Last Line: Bookkeeping. Suggests %a hard-and-fast %muddle. %an area of %departure ACTOR LEAVES THE STAGE Last Line: Pain without end. Without hope of ending ADVANCES Poem Text First Line: Seventy wingbeats Subject(s): Weather; Time; Nature; Mind, The AFTER METAPHYSICS First Line: Now art is %a principle of movement in Last Line: Whole wide world %its crown of ignorance ALICE-FFOSTER-FALLIS (AN OUTLINE) First Line: Alice ffoster-fallis is my idea Last Line: Alice ffoster-fallis has me again ALL THE FORMS OF STRENGTH. THE ANIMALS Last Line: Almanacs. Some %play of the heavens %determining this %spaceof time AN APPARATUS Poem Text Recitation by Author First Line: From where I sit, I can see other Subject(s): Nature ANGEL TO LOVE, MAN TO WORLD First Line: I was reared among prophets, who saw Last Line: His sweaty children screw up generation %after generation ANTIQUARY First Line: Some people try, before cashing in, to make Last Line: From the larder, but I will not set %my house in order APPARENT MOTION First Line: All noises, like the rattle of a train, seem ARCHIPELAGO First Line: The wildness of birds, with Last Line: Ago will there be %no more sea ARGUMENT First Line: ...And will have %crossed the bridge Last Line: Spirits (howling %on the shore) AROUND THE BLOCK Poem Text First Line: I will go for a walk before Subject(s): Walking; Night; Thought; Bedtime; Thinking AROUND THE BLOCK First Line: I will go for a walk before Last Line: Dips in the sidewalk, reading %the difference between shadows AS IT IS IN HEAVEN First Line: Something is %visible, a Last Line: Love the beautiful %red light that %stops the traffic ASYMMETRICAL First Line: The things of this %world are fluid, they Last Line: Enfolded-earth-by %ether? %by ocean ATTRACTIVE FORCES First Line: Banal details swim %heavily among precious Last Line: Don't know the %hour of death AUTOBIOGRAPHY First Line: As I came across the water where Last Line: I've nevr done anything but drift by under %the history of the sky BEFORE THE ARCHITECTS First Line: A jade axe %on the desert %floor Last Line: Terror of beasts %that devour one another BELOW THE EARTH Poem Text First Line: My ?Rst glance takes in BIRTHDAY DEATH POEM First Line: World %in the mirror %all seasons %fall Last Line: No miracle %...World CENTURIES First Line: A strange lady, the one Last Line: Value but merely %jingle CHANCES OF MAGIC, SELS First Line: Triple %city, built %by the damned Last Line: All %over CHANGE OF ADDRESS First Line: Since I am background on the cover, I will come Last Line: Cover (but rosemarie doesn't really look like mccartney), aging CHROMATIC STUDY First Line: From here to %you is the shortest distance Last Line: Deeply disturbed at %the edge of a map COMMUNICATION First Line: No sooner is the tea into my teacup Last Line: Otherwise, for the moment, no %message CONCERN FOR AGES, AEONS Last Line: Desert. Ideas beyond %my production or my %quiet. Gloomy but with %reason CONCLUDING SONG First Line: Room to room %like a child on a train Last Line: Everything, will %never look here CONJECTURAL, ALL MY COMPLICATIONS, ALL Last Line: My acts, my ignorance. %all my enemies CONNECTICUT ELEGY First Line: In the new england winter Last Line: He chews the dandelions by their roots now, %rotten under connecticut CONVERSION First Line: I am already sweeping towards my most Last Line: Shorten. I owe letters to so many, I doubt %that I will ever catch up now CREDO First Line: It is a great doctrine that says we Last Line: Overshadows this house will grow from my forehead, spreading%like veins, ring after ring CROWN First Line: Crystal- %a bee %a gnat Last Line: Unguarded- %pale entity, incorporeal, formless CUES TO DISTANCE First Line: Of interest, to consider the Last Line: And these perspectives %in oblivion's %gallery CURTAINS OF ROSES First Line: Absurd reality of %the frame Last Line: An unrefracting %water DEGENERATION First Line: He is conceited about a disease Last Line: Translate. %the capacity for attention has diminished DETACH First Line: As plain as %noonday like a car Last Line: A little house %not yet %ready DO NOT DISTRUB First Line: If, when you've gotten past the door that's always locked Last Line: And if you come to rest in some more satisfying spot to sleep, %wake me then DOOR OPENING First Line: Lesser noises %penetrate Last Line: Like rain, like %brick streets EGGSHELLS HOLD WHAT THEY PLEASE Last Line: Lies. Many %weathers. Young girls %and superstition. %the warmth of skill EMPTY DISTINCTIONS First Line: Being and %not Last Line: Frame, the arch %and the vault ENDOWMENTS TO DESIRED OBJECTS. AM I Last Line: Investment? Amateur, though %inept, in %the science of %improbabilities EVERYONE KNOWS WHAT ATTENTION IS Last Line: Occurs. As %if. This side the %threshold. All stories love %stories EXCUSED FOR FESTIVITIES First Line: Alcove to alcove, to enjoy a variety FALL SONG First Line: I can't say for sure that I'll always love you Last Line: I think I may die not grabbing for life so much as just groaning to hold you %one more season FIRST DRAW THE SEA First Line: In the outer border of the arch there are angels: angels holding harps Last Line: Unattended ground FIRST DREAM OF SLEEPING Last Line: Pausing in his %bloody sport to %play his part, she is %prepared FIRST IMPULSE, TO LIE Last Line: Difference. Shine and %ghastly become %familiar. Probably %in a sense FRAGMENT FROM HERR STIMMUNG'S VERY LONG UNFINISHED NOVEL First Line: ...As he tries now to put her in perspective, into his particular perspective Last Line: And he is undecided whether to complete it or to start again GENERATION First Line: Passing within range of newly opened eyes, we feel ourselves Last Line: Ungainly, graceless-with our lumbering gait-like trees walking GRAVITY First Line: Disappearing, you Last Line: Complete the night HAPPY ENDING A MATTER OF THE FIRST Last Line: Street, noisy, lovely, %worn. Without %invocation. This is %a moment for terror HARPIES First Line: Incessant song! %the harpies do not kill their victims Last Line: Events, out of the world's long-term memory. Rough melody, squawk %of extinction, unnoticed HATFUL OF FLOOD (1) First Line: Outside the calendar, %werewolves and other Last Line: Horizon, haggling %over a birthday HATFUL OF FLOOD (10) First Line: Starting %from 'here.' %a look in all Last Line: Cannot say %'now.' HATFUL OF FLOOD (2) First Line: Am I a prisoner? Last Line: Time. The fatness %of time HATFUL OF FLOOD (3) First Line: A face at the Last Line: The unlived life is %not worth examining HATFUL OF FLOOD (4) First Line: What happens %at the exact Last Line: Nearer, farther. %nearer HATFUL OF FLOOD (5) First Line: Bonelike light, straining %in patterns Last Line: Doorstep, and a %shadow, face down HATFUL OF FLOOD (6) First Line: Absence as %object of fetish Last Line: Daylight, there were %no more symptoms HATFUL OF FLOOD (7) First Line: Joy and pain %rejoice the Last Line: If broken, %rules HATFUL OF FLOOD (8) First Line: What carol, what margin Last Line: Recondite linguistic %problems or tea HATFUL OF FLOOD (9) First Line: Your body poses %no problem Last Line: Otherwise %clear, dark HEAVEN First Line: Let us suppose he has come to the threshold Last Line: His wait will not be over HERR STIMMUNG FAILS LOGIC First Line: He posits two realms, a & b Last Line: Does this proof obtain in b? HERR STIMMUNG HAS DOUBTS First Line: He finds the claim (whom is he reading: hegel? Brentano?) that Last Line: Feels the presentation fail, making each moment of fulfillment a %mountain of frustration HERR STIMMUNG ON TRANSPARENCY Poem Text First Line: To those of a certain temperament, there is nothing worse than the Subject(s): Secrets; Freud, Sigmund (1856-1939) HERR STIMMUNG ON TRANSPARENCY First Line: To those of a certain temperament, there is nothing worse than the Last Line: While we see only his words, his daughter, his cigar. %poor lawrence HIDDEN Poem Text Recitation by Author First Line: I propose / turning the key Subject(s): Relationships; Fear HIDDEN First Line: I propose %turning the key Last Line: A narrow %lane on a %declivity HIGHER SPIN First Line: Ararat lies %askew, along with Last Line: Creep under %the thorn HORROR STORY First Line: I had two %grandfathers. One was a bald gentle postmaster Last Line: Loved houses are haunted. And I have %no explanation HOSTILITY TO COMFORTERS First Line: A dilettante in %battle: make %for the river Last Line: Warm at a %slant, sun %at the windows HOW TO TELL DISTANCES First Line: Proclus rises from the Last Line: Positive. It's touch and go. %gifts are brief, unaccountable I ONLY KNOW WHERE IT IS I'M LOOKING Last Line: Example, trains and %in an unguarded %moment the %tracks cross %my mind I WOULD NOT WANT TO WASTE WHAT LITTLE I KNOW Last Line: Be satisfied by abstract surfaces, which %spread as we pull away from them IDLE WHEEL First Line: Heavenly quiet the whole Last Line: Suspected of %appetite %already removing the %tables and the chairs %who %in the dark in %the doorwa IF ONE SMOKES, THERE IS THE BURNT Last Line: Possibles %present themselves %now. %then the code tells %all, and %is altogether secret IF VOLUME ONE First Line: Who remembers the %real sea surface assai Last Line: Very strong %pressure if utterly %composed IMAGE OF... --- Last Line: Have an idea. My %likeness %appears to abrupt %soft chords IN PASSING First Line: Expresssion may be effected Last Line: That solid grey sky, obscures %the decline of the afternoon INDIFFERENCE POINT (1) First Line: Continuance, mere con- %tinuance. Your Last Line: Idea like %'tomorrow night.' INDIFFERENCE POINT (2) First Line: Figures of common %sense afford Last Line: Correspondence. You %level me with here INDIFFERENCE POINT (3) First Line: Love, my %weltanschauung Last Line: Gone. %you intimidate INDIFFERENCE POINT (4) First Line: Counted my %don't-cares Last Line: How shall I keep %my distance? INDIFFERENCE POINT (5) First Line: I repent of %nearly Last Line: I want to see is %the visible INDIFFERENCE POINT (6) First Line: I'll divert my %ear from you. I can Last Line: The inner chambers to %disinherit you INDIFFERENCE POINT (7) First Line: This is the real Last Line: Keep a religious %silence.' INDIFFERENCE POINT (8) First Line: Joy un- %does you. You Last Line: Will destroy you - watch - as %we connive INDIGNITY OF PROOF First Line: No reply sharp %outlines instantly %less visible Last Line: We left %the evening INSTINCTIVELY, THE WINDING STAIRS, ACCOMPANIED Last Line: Into footprints. %one kiss, I'm %surrounded. Love's %long debris INTRODUCING A MADMAN Poem Text First Line: He finished his speech in a Last Line: Strength which seemed incredible Subject(s): Hate INTRODUCING A MADMAN First Line: He finished his speech in a Last Line: Clever lady (with a %strength which seemed incredible) Subject(s): Hate LIGHT TRAVELS Poem Text First Line: Common time I follow you un- Subject(s): Light; Poetry & Poets LIGHT TRAVELS First Line: Common time I follow you unkept Last Line: To think or swim %reminiscence and extinction LIPS MEET: SPIRIT BREATHES Last Line: Thought about it, I though %that perhaps too much emphasis has been put %on both pity and terror LULLABY IN JANUARY Poem Text First Line: Bravely (it seems to me) you Subject(s): Winter; Sleep; Birthdays LUNCH First Line: The table is loaded. I marvel at my Last Line: Than the rest; it is hard now to imagine %such connoisseurship Subject(s): Lunch MAJESTY Poem Text Recitation by Author Subject(s): Social Commentaries MARGINAL NOTE First Line: She had read, she %tells us-mrs eddy, that Last Line: And no last %judgement MEANING SHOULD BE UNDERSTOOD, LIKE A MISSING BUDDHA Last Line: Know it when %I see it. What could %reduce a man %to traces? MILLENIUM First Line: So here is %center Last Line: There is no everything MIRROR First Line: Dark spaces %echoes: I will %outremember you Last Line: We meet %and then we %meet by chance MONEY First Line: Money %is pure spirit. It's what you convert Last Line: Blunders in his accounting. %it's hell to be poor MOTION DISCOMFORT First Line: El cheapo in the jaws of camp Last Line: Gently, without impact, having no %place to land MY NOTEBOOK FOR DECEMBER (1) First Line: Closing the door is supposed to open some Last Line: It's a stroke of luck when traditional %wisdom so matchs the turning of the season MY NOTEBOOK FOR DECEMBER (10) First Line: How naive can you get? - I Last Line: Thought answers my stupid question: I %remember nothing MY NOTEBOOK FOR DECEMBER (11) First Line: When I think of the books you could Last Line: With my lids down. But I'm preparing. I need %many voices for my regvenge MY NOTEBOOK FOR DECEMBER (2) First Line: I've often thought of writing a poem of grotesque Last Line: Instant, because of course the buddha %reconsidered MY NOTEBOOK FOR DECEMBER (3) First Line: Bulls for the bull-fight must (this is Last Line: Develop a taste for battle or %get seven novels written or kill myself MY NOTEBOOK FOR DECEMBER (4) First Line: History is hard for me. I've no Last Line: Sense for it MY NOTEBOOK FOR DECEMBER (5) First Line: The world - and if ever there was a self-evident Last Line: Nights, wearily, I study my net. %the fish stinks MY NOTEBOOK FOR DECEMBER (6) First Line: A friend talks passionately in favor of Last Line: Plains, burying us. Friend, waist deep in dust or %sand, maybe we'd contrive a gesture MY NOTEBOOK FOR DECEMBER (7) First Line: I passed the peak of my Last Line: Study, but no one knows %my speciality MY NOTEBOOK FOR DECEMBER (8) XMAS (AFTER PESSOA) First Line: A god is born. Other gods die. Truth Last Line: A new god is nothing but a word. %seek not. Nor believe. Allis occult MY NOTEBOOK FOR DECEMBER (9) First Line: Time is molecular - so much for Last Line: Bright pulsations, a gob %of time, an after-image NATURAL BRIDGE First Line: Climbs on the first spider that Last Line: Thousand men. So decorated, at such expense NATURAL DARKNESS First Line: Old philosophers %by rocky strand by %creek, unable %to sleep Last Line: The usual diseases is un- %healthy NO EXCUSE FOR THE PHYSICAL. THE SOUL DEMANDS Last Line: Give - go - keep - let - %make - put - seem - %take - be - do -have - %say - see - send - may - wil NO LANGUAGE NATIVE, SOME MERELY LESS FOREIGN THAN OTHERS Last Line: Above the wind. %how I felt - my %symptoms %handed around NOTHING First Line: Sweet music without dis- %tinguishable text Last Line: Heaven and earth NUMERICAL ARGUMENTS, LINKING TIME AND DIVIDING Last Line: Information. Flowers %shriek when wrenched %out. %into the mirror ON EARTH First Line: This is the original %theme, through the Last Line: And note how the face %disappears into the %eyes OPPOSITE First Line: Absence %yes, it's of light Last Line: Will %at a distance ORDER First Line: Ox %to look at something that is changing Last Line: A mark %space as static, time as flowing, knowledge as oscillation OTHER NUMBERS First Line: Whether in the body %or out Last Line: Without %redemption PALMER-WORM First Line: And even lovers talk %sometimes of other things Last Line: Desire for the body as %if for the dead %body PAPER First Line: Somebody told me I wouldn't know how to choose Last Line: On the sills, and I can't see %out my window anymore PARADISE First Line: Garden abstracted Last Line: The ability %to hover PARADISE First Line: In this garden every %leaf is %mortal Last Line: I wish I could %tell you %this PLURALITY OF WORLDS First Line: And each inhabited. And each POEM FROM MEMORY First Line: If one %smokes, there Last Line: Open. %secret POET Poem Text First Line: The wind dying, I find a city deserted, except for crowds of Subject(s): Poetry & Poets POET First Line: The wind dying, I find a city deserted, except for crowds of Last Line: I build houses that I will not inhabit POTENTIAL RANDOM, SEL. First Line: No counting the %number of the dead, the number Last Line: What have I ever wanted to %say, but %how at this moment PROGRESSING First Line: At birth whole %areas of the globe are Last Line: Career must proceed directly %from the stars of the microcosm PSEUDODOXIA First Line: Among errors, he finds this one vulgar: the idea that, the sexes being Last Line: Symmetry, herr stimmung thinks, must be strangely persuasive PUT INTO PERSPECTIVE, THE DOME OF THE STATE HOUSE SINKS Last Line: How the letters follow their set %order, like the formula for some %catastrophe, called forth by %ac REAL ANSWERS SIMPLY REPEAT THE QUESTION Last Line: Strains. These intrusions %not to be regarded as %abnormal, but %certainly surprising ROUGH CIRCLE First Line: I went half way, half the remaining way, then half of that knowing I Last Line: It was not a theory RUINS OF PROVIDENCE First Line: Two oaks - in the afternoon, if Last Line: Grove. I love these wooden houses that %the rich built, and we live in SAINT MICHAEL, AS HE FLASHES HIS SWORD, SHOULD SWEAT Last Line: Teaches philosophy, or the likelihood %of a new ice age, or that pair of %slippers worn by enoch bef SAME DISTANCE First Line: Silk at limits %pressed farther Last Line: A word of %slang SELF EVIDENT First Line: From this angle, at %this distance, I Last Line: Resembling %blots SHIFTERS First Line: Birds I hear %weeping Last Line: There is no nothing SHIPWRECK IN HAVEN: 4 Poem Text Recitation by Author First Line: Fate is cleverer than the king Subject(s): Transcendentalism SHIPWRECK IN HAVEN: 5 Poem Text Recitation by Author First Line: After this, the cold more intense, and the night comes rapidly up Subject(s): Transcendentalism SHIPWRECK IN HAVEN: I First Line: Balancing. Austere. Life- Last Line: And blood, a rope of flowers SINCE VOLUME ONE First Line: Periodically %glum %and the sun Last Line: Dream of no %sleep comes %secondhand SINGULAR STRAIN First Line: But words yes I do %hear words Last Line: Until the sound %is out of hearing SIXTH TRANSCENDENTAL STUDY First Line: Behind and above, I saw then everything Last Line: Reaching for the centr. Look at the sycamore: %tall, healthy, flashing its regalia SLEEPER NOT COMPLETELY ASLEEP Last Line: Of action. Not %mine. Shifted, %all the natural %divisions SLEEPING BEAUTY First Line: Inside her slumber, she is fast awake Last Line: The opposite of letting the mind wander %is letting the mind go home SLIGHTLY ARCHED FORM First Line: The dead may hide %in a mirror Last Line: Wholly different from %what is SOFT HAIL Poem Text First Line: Afterward, to tell how it was possible to Subject(s): Motion; Storms; Ships & Shipping SOME GODS ARE TOO HIGH TO BE PTITIONED Last Line: Recognized, for instance, my way of %walking, could run to meet me SOMETHING IS ALWAYS PULLING, LITTLE Last Line: Center. Only vectors of %rejection, lines %of force. This %reach. %open. %secret SONG FOR CROSSING A BRIDGE First Line: This song started with evee, my mother Last Line: Down the river, %into the open sea SORROW AND LOVE, IN THE OLD HYMN Last Line: The high tone of gravity - the universe %displays a degrading shift towards red SOUNDS, OVER A DISTANCE TOO GREAT TO HURT: THE IDEAL CLANG Last Line: Of hieroglyphic. There are %four colors that make %up the whole world. They are all %colors I have s STORMY CROSSING First Line: What will %remain? Not new Last Line: Paradise has %no feet SURFACE AND AFTER First Line: A sweet and singular %strain of singing Last Line: Instantly was %dead THE BALUSTRADE Poem Text First Line: Ultimate boundary: arms Subject(s): Amnesia; Conduct Of Life; Fear THE GHOST OF A HUNTER Poem Text First Line: He reads: what soul suffers in secret, the flesh shows openly Subject(s): Conduct Of Life; Coming Of Age THE REAL SUBJECT [WHIR] Poem Text First Line: Do not alarm yourself, I THE UNRELIABLE NARRATOR Poem Text Recitation by Author First Line: A great crime: she has Subject(s): Matricide; Conduct Of Life THIS BODY, MINE, IS ONLY AN IMAGE Last Line: Emotions. Meanwhile, all %legends about roses %bleed them from white to red THREE LOGICAL POEMS (1) A RATIONAL HORIZON First Line: As I grow older, I Last Line: Circle, assuming the universe %to be an individual THREE LOGICAL POEMS (2) COOKBOOK ILLUSTRATIONS First Line: The food in thee Last Line: Crocker, 'first %make your coffin.' THREE LOGICAL POEMS (3) THE ENDS OF THE EARTH First Line: This' is %real. What Last Line: The elements. %'now.' THREE POEMS OF POSITION (1) SAILING THE WALL First Line: Now again, trees issue leaves Last Line: Instant perfection. I like the way %thing sound, a sense of previous riverbeds THREE POEMS OF POSITION (2) STANDING First Line: At the end of long marches, food appears Last Line: Crosses falling night. We will not %meet, after today's losses THREE POEMS OF POSITION (3) A DELICATE EMPIRICISM First Line: Under the threshold, unconscious Last Line: Arrive at the same doorway, where %this cat is on that mat TO KNOW, MERE EMOTION, BUT THE UNKNOWN Last Line: Down %to ordinary blue %eyes, or brown, or %pigmentation uncertain. %projection of %a tone, without TO ROSMARIE IN BAD KISSINGEN First Line: I just squashed a fat Last Line: A marigold %and an oak TRANSITIVE First Line: The boundary is marked by boundary stones, standing in the dusk or Last Line: To reinstate the surrounding void TRANSPARENT LIKE THE AIR First Line: Spirits love Last Line: Frozen to this %selfsame %stone %(opaque %and then the flash%of a bird's wing) I %go down the column TRIPLE CITY, BUILT BY THE DAMNED Last Line: By its - our - own %will, collapsing %like a dying %star into %a bull's-eye for a %single arrow. %al TUNING Poem Text Recitation by Author Subject(s): Social Commentaries TUNING First Line: Herr stimmung-purblind-moves in corporeal time Last Line: He has a special attitude towards terror TURNING ROAD First Line: Earliest %ornament, bead or %pendant, first Last Line: Lips, and the latest %doodad, %pendant TWO ARMIES ADVANCE, DELINEATING AMID CLOUDS OF DEMOLITION Last Line: The ever %shifting and %the distant. Dreadful un- %certainty%of all the particulars. %there is no %c ULTIMATE BOUNDARY: ARMS Last Line: Languor, uncanny and %pensive silence UNTIL VOLUME ONE First Line: Vestiges and %not nearly separated Last Line: As it has before %toward winter UNWIELDINESS OF COMPLEXES Last Line: Purposes. Nothing %attaches %except worldliness. %encoded %and read henceforward only %for (ah---) t VACANCY HAUNTS THE CITY. UNINTENDED SPACES Last Line: My best chances are %tonal, images not %quite in tune, partial %replies, a kind of %asymmetrical ech VANITY First Line: The world I see-there-here-is the world I remember. What is to Last Line: Trees %caught in the hearsay VESTIGES First Line: Fire in %general, which neither Last Line: Wedding night, the %teeth of evidence WANDERING CURVES First Line: A new ridge spreads underneath. Volcanoes, often Last Line: Ooze the crust along the mantle WATER MARKS (1) First Line: Even if his dream were Last Line: Not accept the it is %raining of someone asleep WATER MARKS (10) First Line: Water, if quiet, may Last Line: Battle, elaborate %ruins, the typical flora WATER MARKS (11) First Line: Pieces of a game - king, queen Last Line: His old enemy: the fascination %of drifting terms WATER MARKS (12) First Line: Look here, at this---' - there Last Line: And those creases of llight in the %sky are like nothing on earth WATER MARKS (13) First Line: Even if his dream WATER MARKS (14) First Line: If I ask, 'how %are the arches fallen?' does it not bridge Last Line: Of blue sky and foundation? - %for at least this holiday WATER MARKS (15) First Line: To use words in Last Line: Such a way that no %frontier closes on them WATER MARKS (16) First Line: N. B. There are more Last Line: Insects in america WATER MARKS (17) First Line: From certain angels, one may see Last Line: Hues), such as %might tempt a man to step WATER MARKS (18) First Line: And there are things of whihc - for Last Line: Some reason - it is %difficult to remind oneself WATER MARKS (19) First Line: Shall we, with our Last Line: Establish a style - a form %of possession WATER MARKS (2) First Line: It is raining WATER MARKS (20) First Line: Don't %go away. This rain Last Line: Speak of actual %rain, even if WATER MARKS (21) First Line: And who will care about dirty Last Line: An end ... Now logic must %take care of itself WATER MARKS (3) First Line: Periods of dream, however Last Line: Fatigue - will erupt into %the waking eye WATER MARKS (4) First Line: It takes a horizontal Last Line: Cannot lay a foundation, but must %build on one WATER MARKS (5) First Line: Names bother him. Certain Last Line: That---built. %(earthquake gardening WATER MARKS (6) First Line: In the farthest %clearing, misunderstandings Last Line: Still spring up WATER MARKS (7) First Line: No description %satisfies him. When he Last Line: He no longer finds it %characteristic WATER MARKS (8) First Line: Rain is coming %down so as to flood the ill Last Line: If his dream were actually %connected WATER MARKS (9) First Line: Woven, the net, without Last Line: Spread to the horizon, %unpronounceable WHAT HERR STIMMUNG ADMIRES First Line: The famous harp-playing donkey at aulnay Last Line: Rolling hard-boiled eggs downhill WHILE SHE WAS HOLDING FORTH... Last Line: Tall empty helmet. If I needed %help, what hill would I climb or %lift my eyes toward? WILL TO WILL First Line: An interesting case, the progress of a bird. When Last Line: A new barn, buys cows. The rest I'm forgetting WIND IS LAUGHING First Line: My love and I sat down to lunch Last Line: And later the same wind will blow right through us, %but the wind is laughing WONDERFUL BODY-THERE IS Last Line: We bend the %knee in %apposition WORDS WORTH LESS First Line: Tell %blind. %intelligible Last Line: With a soft inland murmur. -once again WORLD BEGINS HERE Last Line: Let gestures %determine the marionette. %running down- %stairs always to the %chamber of horrors WOUND UP, GOING ON Last Line: Houses. Flames %thronging %like the pains %of childbirth. Corpse %on the shore |
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