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Classic and Contemporary Poetry: Explained | |||
The poem begins with a series of seemingly mundane observations that quickly take on a metaphysical quality, questioning the nature of existence and the interconnectedness of all things. The imagery of "schools of little fish" falling "in snow beyond the window" or "in bread breaking in cracks cut by steam" suggests a magical realism, where the ordinary is infused with the extraordinary. This opening sets the tone for a meditation on the unseen and often unacknowledged connections between different forms of life and the elements of the natural world. Bell then shifts the focus to the poet's solitary existence, highlighting the isolation and the lack of recognition that often accompanies the creative process. The act of breaking bread, an age-old symbol of community and sustenance, becomes a solitary endeavor, underscoring the poet's isolation. The "invisible knife" that slices through the bread becomes a metaphor for the unseen forces and inspirations that drive the creative process, as well as for the inevitable changes and losses that life entails. The poem expands its scope to critique societal and environmental issues, referencing the nation's ability to "saw into the Yukon," and its efforts to "rescue whales and wolves" while neglecting the plight of the homeless and the rat in the street. This juxtaposition serves as a critique of priorities, questioning the value systems that enable such disparities in care and concern for different aspects of our world. Bell uses the metaphor of the "schools of little fish" to suggest a lesson in survival and adaptability, noting that the nation's "armies travel in raindrops, in the empty chambers of white bread, in steam opaquing the pane of a window in winter." This imagery conveys the idea that power and influence can be diffuse and pervasive, operating in subtle and often overlooked ways. The poem's closing sections delve into the responsibilities of the poet—or any individual—toward acknowledging and bearing witness to the complexities of life and the aftermath of conflict. The call to "absorb the barbed wire" and to wait for the "propeller" and "little tanks" to invade one's consciousness is a metaphor for the need to confront and internalize the harsh realities of the world. This process of internalization is necessary for the poet to authentically capture and convey the essence of human experience. "Schools of Little Fish" is a profound contemplation of the role of the poet in society, the interconnectedness of all life, and the moral imperatives that face humanity. Through its rich imagery and layered meanings, the poem invites readers to reflect on their own place in the world, the unseen forces that shape our lives, and the importance of empathy, awareness, and responsibility in navigating the complexities of the human condition. Marvin Bell's work stands as a testament to the power of poetry to probe the depths of both personal and collective experience, challenging us to see beyond the surface and to engage with the world in a more thoughtful and compassionate manner.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...JOURNEY INTO THE EYE by DAVID LEHMAN THE GREAT BLACK HERON by DENISE LEVERTOV ISLA MUJERES by WILLIAM MATTHEWS TWO PICTURES OF A LEAF by MARVIN BELL OF FISH AND FISHERMEN by JOHN CIARDI COUNTING THE WINTER DEAD by MADELINE DEFREES AFTER TU FU (THEY SAY YOU'RE STAYING IN A MOUNTAIN TEMPLE) by MARVIN BELL |
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