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Classic and Contemporary Poetry: Explained | |||
The poem begins with a vivid depiction of the fair's crowd, moving relentlessly like the ticking of a clock. This movement symbolizes the unceasing march of time and the collective human endeavor to keep moving, despite individual uncertainties or the lack of direction. The speaker's decision to stand by the roller-coaster, waiting for an hour, introduces a sense of anticipation and stagnation, contrasting with the crowd's continuous motion. As fireworks signal the lateness of the hour, the speaker's mind drifts to deeper concerns—the haunting presence of a once-loved person who continues to disturb his peace and shape his dreams. This figure represents unresolved emotions and the lasting impact of significant relationships on one's psyche and life trajectory. Berryman employs vivid imagery to convey the speaker's turmoil, with "torn images" and the "inexhaustible ability of a man / Loved once, long lost" illustrating the fragmentation and persistence of memory. The reference to "Childhood" and the austere face it speaks with suggests that these reflections and disturbances reach back to the speaker's formative years, affecting his perception of the present. The poem then shifts to a literary allusion with the mention of "The Chast Mayd only to the thriving Swan," likely referencing a tale of unrequited or forbidden love, further emphasizing themes of desire, loss, and the inescapability of the past. The mention of Middleton's grave, likely referring to the playwright Thomas Middleton, introduces the idea of forgotten history and the anonymity that comes with death, contrasting with the vividness of personal memories. In the concluding stanzas, the speaker acknowledges the futility of seeking understanding or forgiveness in the thrill of the roller-coaster—a metaphor for life's highs and lows and the human inclination to seek distraction from existential questions. The stale wind and thinning crowd signal the end of the fair and the speaker's isolation amidst the dissipating excitement. The poem closes with the realization that the speaker's friend has not arrived, and it is time to return home to his work and the "instructor down my mind," likely referring to the internalized voice of criticism or guidance that shapes his thoughts and actions. This return to solitude and responsibility highlights the transient nature of diversion and the enduring presence of personal and intellectual challenges. "World's Fair" is a poignant exploration of the human condition, capturing the interplay between collective experiences and individual introspection, the search for meaning amidst life's distractions, and the haunting influence of the past on the present. Berryman masterfully blends observational detail with emotional depth, offering a reflective and nuanced meditation on existence, memory, and the pursuit of understanding.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...TREAD THE DARK: 51 by DAVID IGNATOW ODE SUNG AT THE OPENING OF THE INTERNATIONAL EXHIBITION by ALFRED TENNYSON INVITATION TO A PAINTER: 1 by WILLIAM ALLINGHAM AT THE FIREMEN'S EXHIBITION by CHARLES WILLIAM BRODRIBB ATLANTA EXPOSITION ODE by MARY WESTON FORDHAM A WELCOME TO THE FAIR by WILLIAM STEWARD GORDON THE LEWIS AND CLARK TRAIL by WILLIAM STEWARD GORDON WEBFOOT IN THE LEAD by WILLIAM STEWARD GORDON THE MELBOURNE INTERNATIONAL EXHIBITION (WRITTEN FOR MUSIC) by HENRY CLARENCE KENDALL THE SYDNEY INTERNATIONAL EXHIBITION by HENRY CLARENCE KENDALL |
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