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Geoffrey Hill's poem "Ritornelli" is dedicated to Hugh Wood on his 60th birthday. Through its layered language and themes, the poem explores the intertwining of music, judgment, and the complex nature of human experience. The title "Ritornelli" suggests a recurring theme or motif, echoing the musical form of a refrain that returns throughout a piece.

The poem begins with a call to the "Angel of Tones," who embodies "flame of accord / exacting mercies / answerable / to rage as solace." This invocation suggests a divine or elevated presence that harmonizes conflicting emotions. The juxtaposition of "rage" and "solace" points to the redemptive power of music, capable of transforming anger into comfort. Hill's language here is both formal and intense, reflecting the serious and profound nature of the themes he engages with.

The directive "I will have you sing" implies a command or a plea for the angel to express these deep emotional truths through music. This sets the stage for the exploration of judgment and resolution that follows.

In the second stanza, Hill writes, "For so the judgement passes / it is not otherwise / hereafter / you will see them resolved in tears / they shall bear your crowns of redress." Here, he contemplates the idea of judgment and its aftermath. The phrase "it is not otherwise" suggests inevitability, as if the process of judgment is a natural and unchangeable part of existence. The imagery of being "resolved in tears" implies a cathartic release, a purification that follows judgment. The "crowns of redress" symbolize a form of reconciliation or compensation, indicating that the resolution of judgment leads to a kind of reward or recognition, albeit through suffering and tears.

The final stanza shifts focus to an individual "Lost to no thought of triumph," who "returns upon himself." This introspective journey involves descending "among water and ash and wailing sounds confused with sounds of joy." The absence of triumph suggests humility and self-reflection rather than glory. The descent "among water and ash" evokes images of purification and remnants of destruction, symbolizing a process of renewal or rebirth through suffering and reflection. The "wailing sounds confused with sounds of joy" highlight the complexity of human emotions, where sorrow and happiness often intermingle.

Through its rich imagery and intricate language, "Ritornelli" delves into themes of judgment, reconciliation, and the transformative power of music. Hill's poem reflects on the inevitable process of judgment and the emotional resolution that follows, suggesting a journey towards understanding and redemption. The dedication to Hugh Wood, a composer, underscores the poem's musicality and its meditation on the profound impact of art and music on the human soul.


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