Classic and Contemporary Poetry: Explained

"A Guy I Know on 47th and Cottage" by Clarence Major presents a vivid snapshot of urban life, focusing on the aspirations and attitudes of a young man influenced by the environment and values around him. Through keen observation and colloquial language, the poem explores themes of materialism, identity, and the search for status, painting a picture of a culture where wealth and outward displays of success are paramount.

The poem begins with a powerful metaphor: "The day of the strong rap / does not build to a close." This suggests an ongoing, relentless rhythm in the environment, possibly referring to the influence of rap music and the cultural atmosphere it creates. The "strong rap" symbolizes a way of life characterized by boldness, assertiveness, and a pursuit of status, which permeates the lives of the characters in the poem.

Major observes "the heavy plop, climb / from the mouths of twelve-year-olds / in backyards trying to be honey cats / like their fathers." The imagery of words "plop, climb" evokes a sense of young boys trying to find their footing, mimicking their fathers' attitudes and behaviors. The term "honey cats" suggests smooth-talking, charismatic men, hinting at a culture that values charm and swagger. These young boys are emulating the "same / values — big cars giant hearts," aspiring to the symbols of success they see around them.

The poem delves into the mindset of materialism: "Laying a nickel on somebody / to impress the Lady." This line suggests that the young men are learning early to use money and material possessions to gain favor or impress others, especially women. The phrase "Grand / Theft Money" alludes to a life of hustling and possibly engaging in illicit activities to accumulate wealth, while "Moving up from lazy / bread to French muffins" metaphorically indicates a desire to move from modest means to more sophisticated, luxurious items.

Major continues with a critique of cultural attitudes: "Hawking foreign / chicks rather than mellow yella." This line juxtaposes the allure of foreign women ("foreign chicks") with a preference over local or familiar options ("mellow yella"), possibly reflecting a fascination with the exotic or different as a status symbol. It highlights a sense of disconnection from authentic relationships, with a focus instead on surface-level appearances and what is considered trendy or desirable.

The poem then projects into the future, envisioning the boy grown up: "I can just see him grown and slick / in a hog on a heavy map he thinks is the end, / the greatest." The image of being "grown and slick" suggests a polished, confident persona, while "in a hog" refers to driving a luxury car, a symbol of having made it. The "heavy map" symbolizes the limited scope of his aspirations, seeing his neighborhood or material possessions as the pinnacle of success.

Major portrays the young man's superficial generosity: "See him throwing a few dimes / to the Grape Society in the nearby alley." This act of giving small amounts to others, possibly to those less fortunate or to maintain a certain image, highlights a superficial approach to generosity, where the true intention is to enhance one's own status rather than genuine altruism.

The poem concludes with a reflection on familial ties: "He'll go to see his mama and sister about / once a month to lay a big buck on them, / knowing Mother's Day will not come / till the end of the month." This gesture suggests a sense of obligation rather than genuine care, with visits and gifts timed for convenience and impact rather than heartfelt affection. The reference to "Mother's Day" symbolizes a minimalistic approach to familial responsibility, doing the bare minimum to maintain appearances.

Overall, "A Guy I Know on 47th and Cottage" provides a critical and nuanced view of urban life, highlighting the pressures and aspirations shaped by materialism and superficial values. Clarence Major captures the complexities of identity and success within this cultural context, offering a poignant commentary on the societal influences that shape the lives and attitudes of young people. The poem challenges readers to consider the deeper implications of these values and the impact they have on personal and communal relationships.

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