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LIFE WITH SICK KIDS, by             Poet Analysis     Poet's Biography

In "Life with Sick Kids," Sharon Olds captures the cyclical and relentless nature of dealing with children's illnesses, intertwining it with a personal and introspective meditation on family and the potential for new life. The poem's vivid portrayal of the physical and emotional toll of caring for sick children is set against a background of intimate and nuanced reflections on motherhood and the longing for another child.

The poem begins with a straightforward description of the children's illnesses. One child coughs, leading to an illness that persists for "eight weeks," only for the other child to follow with a more intense episode, characterized by a "cough so hard he nearly vomits." This back-and-forth pattern of sickness is vividly illustrated through the repetition of the phrase "then the other child," which conveys a sense of inevitability and the lack of respite for the caregiver. The recurrence of illness, with one child recovering only for the other to fall ill again, creates a rhythm that mirrors the exhausting cycle of caring for sick children. The comparison to children shaking boxes at Christmas captures the unpredictable and unsettling nature of these illnesses, as well as the children's own unawareness of the stress they cause.

As the poem shifts, Olds introduces a more personal and contemplative element. The speaker reflects on a moment of potential fertility, "the third day of the blood," when it would be "almost safe to use nothing." This subtle allusion to the speaker's menstrual cycle and fertility introduces a nuanced layer of complexity, suggesting a longing for another child. The phrase "a tiny door left open for a resourceful child" evokes the possibility of conception, an idea that is both tender and laden with a sense of hope. Yet, this hope is tinged with uncertainty and a quiet acknowledgment of the challenges already present in caring for the children she has.

The poem reaches its emotional core with the speaker's introspection. Despite being surrounded by the immediate and tangible reality of her sick children, she finds herself thinking of "the unconceived one." The description of hearing a "little introductory cough" from this potential child is poignant and evocative. It suggests a deep-seated desire for another child, a desire that persists even amidst the chaos and exhaustion of caring for the ones she already has. This imagined cough represents the possibility of new life and the complexities of maternal longing, which persist despite the tangible and sometimes overwhelming reality of motherhood.

Structurally, "Life with Sick Kids" is presented in a single stanza, which reflects the uninterrupted and continuous nature of the experiences described. The poem's form, without clear breaks or pauses, mirrors the relentless and unending cycle of sickness and care. The language is straightforward yet rich with imagery and emotion, allowing the reader to feel the speaker's exhaustion, hope, and introspection.

Olds' use of language and imagery deftly captures the dual realities of motherhood—the physical demands and the emotional complexities. The juxtaposition of the mundane (children coughing, the cycle of illness) with the profound (the possibility of new life, the introspective longing for another child) highlights the multifaceted nature of a mother's experience. The poem speaks to the resilience required in the face of continuous caregiving and the persistent, often quiet, dreams and desires that accompany the responsibilities of motherhood.

In "Life with Sick Kids," Sharon Olds masterfully weaves together the tangible experiences of caring for sick children with the more ethereal and introspective considerations of potential new life. The poem stands as a testament to the endurance and complexity of maternal love, capturing both the relentless physical demands and the subtle, often unspoken emotional landscapes of motherhood.


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