|
Classic and Contemporary Poetry: Explained | |||
Marge Piercy's poem "You Ask Why Sometimes I Say Stop" delves into the complex and often contradictory emotions that accompany intimate experiences. Through vivid and powerful imagery, Piercy explores themes of vulnerability, fear, and the intersection of physical pleasure with emotional depth. The poem captures the duality of desire and apprehension, highlighting the delicate balance between giving in to pleasure and the instinct to protect oneself. The poem begins with a direct address, responding to the question of why the speaker sometimes says "stop" even as she is overwhelmed with pleasure. This sets up a candid and introspective tone, inviting the reader to understand the speaker’s inner conflict. The phrase "why sometimes I cry no / while I shake with pleasure" immediately presents the paradox of simultaneous enjoyment and resistance. Piercy uses the metaphor of a "molten / deep sea center where the nerves / fuse open and the brain / and body shine with a black wordless light" to describe the intense physical sensation of climax. This imagery conveys a sense of profound, almost mystical experience, where the boundaries between body and mind dissolve. The reference to "fluorescent and heaving like plankton" evokes a natural, primal force, emphasizing the raw and overwhelming nature of this pleasure. The poem then shifts to a reflection on the language of sexuality: "If you turn over the old refuse / of sexual slang, the worn buttons / of language, you find men / talk of spending and women / of dying." This observation reveals the underlying gendered differences in how sexual experiences are perceived and described. For men, it is often seen as an expenditure of energy, while for women, it can feel like a surrender or loss, evoking a sense of finality and vulnerability. Piercy continues to explore this vulnerability through the metaphor of being taken "farther and farther from the shore / in a series of breakers, each / towering higher before it / crashes and spills flat." This image of being swept away by waves conveys the uncontrollable nature of sexual pleasure, as well as the disorientation and exposure that come with it. The speaker describes herself as "open then as a palm held out, / open as a sunflower, without / crust, without shelter, without / skin, hideless and unhidden," emphasizing the complete vulnerability and openness that such experiences entail. The fear of this openness is palpable: "How can I let you ride / so far into me and not fear?" The metaphor of a "burning city" captures the devastation and chaos that can accompany intense emotions. The extremes of pleasure are likened to "fire storms / that leave a vacuum into which / dangerous feelings (tenderness, / affection, l o v e) may rush / like gale force winds." Here, Piercy acknowledges the potential for deep emotional connections to form in the wake of physical intimacy, which can be both beautiful and terrifying. "You Ask Why Sometimes I Say Stop" is a powerful exploration of the interplay between physical desire and emotional vulnerability. Piercy’s use of vivid, evocative imagery and candid introspection invites the reader to understand the speaker’s inner conflict and the fear that accompanies profound intimacy. The poem captures the delicate balance between surrendering to pleasure and guarding oneself against the potential pain that deep emotional connections can bring. Through this exploration, Piercy highlights the complexities of human sexuality and the courage it takes to navigate these intense experiences.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...THE GEM IS ON PAGE SIXTY-FOUR by MATTHEA HARVEY LIE DOWN WITH A MAN by TONY HOAGLAND ARISTOTLE TO PHYLLIS by JOHN HOLLANDER PORTRAIT WITH BROWN HAIR by DONALD JUSTICE NATIONAL NUDIST CLUB NEWSLETTER by WAYNE KOESTENBAUM BLACKOUT SONNETS by JOAN LARKIN SEX IS NOT IMPORTANT by JAN HELLER LEVI WHAT THE MAGDALENE SAW by TIMOTHY LIU A POST-IMPRESSIONIST SUSURRATION FOR THE FIRST OF NOVEMBER by HAYDEN CARRUTH |
|