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IN JOHN UPDIKE'S ROOM, by                 Poet's Biography

"In John Updike's Room" by Christopher Wiseman is a deeply reflective and personal poem that engages with the themes of memory, mortality, and the passage of time, all within the context of a shared but individually experienced place. Wiseman crafts a narrative that juxtaposes his own memories and emotions against those he imagines for John Updike, creating a dialogue between past and present, between two writers linked by a physical space yet separated by their experiences.

The poem begins with Wiseman situating himself in the same room at the Marine Hotel in North Berwick, Scotland, where John Updike once stayed, as described in Updike’s own writing from May 1998. This setting is crucial as it serves as a literal and metaphorical backdrop for exploring the emotional resonances of both poets. Wiseman's choice to stay in the same room allows him a peculiar intimacy with Updike, creating a palpable sense of presence through absence.

Wiseman describes Updike’s experience as one marked by solitude and sorrow, watching "High Society" alone, mourning the loss of luminaries like Frank Sinatra ("for Frank, just dead") and the poignant beauty of Grace Kelly. Updike's tears for these icons mix with a broader existential mourning, reflecting on the passage of time and the fading of old Hollywood's glamor. This moment encapsulates a deep sense of loss—not just of people but of an era, a certain light that once filled Updike’s life.

Contrasting sharply with Updike’s introspection and melancholy, Wiseman recalls his own youthful summers spent in the same town. His memories are vibrant and full of life, "running through early adolescence," a stark departure from the somber reflections of Updike. Wiseman's past self "burned brown here, swam far out in that sea, / Stole golf balls, kissed girls," capturing a buoyancy and a joy in living that contrasts with the room's later association with grief and contemplation.

Yet, despite his initial resistance to the melancholy he perceives in Updike’s experience ("But no, / Not now, you won't get me, not here"), Wiseman acknowledges a creeping sense of shared sentiment by the poem's end. The acknowledgment that "something's prickling my eyes" suggests that despite the years and the different lives led, there is a common, human thread of vulnerability and loss that eventually touches all. Wiseman’s final contemplation of the "darkness coming fast" echoes Updike's own preoccupations with mortality and the inevitable passage of time, suggesting that no one is immune to these reflections.

Overall, "In John Updike's Room" is a poignant meditation on the intersections of place, memory, and literary legacy. Wiseman uses the shared space of the hotel room as a conduit for exploring these deep themes, ultimately closing the distance between his experience and Updike’s, between life’s vibrant summers and its inevitable dusks. The poem is a dialogue across time, a recognition of shared human fate, and a tribute to the poignant beauty found in both the light and shadows of life.


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