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RICHMOND, by             Poet Analysis     Poet's Biography

"Richmond" by John Updike is a meditative and evocative poem that captures the historical and cultural essence of Richmond, Virginia, through its monuments and notable figures. Updike explores the city's Confederate past, its architectural charm, and its literary connections, weaving them into a narrative that reflects on memory, legacy, and the enduring impact of history.

The poem begins with a striking image of Stonewall Jackson, a key figure in the Confederate army during the American Civil War, depicted with "shadows in his eye sockets like shades upon a bearded hippie." This comparison bridges centuries, connecting the historic figure to more modern imagery, perhaps suggesting the lingering presence and continued relevance of these historical figures in contemporary times. Jackson's gaze directed toward Robert E. Lee, another major Confederate general, stationed "on an even higher horse," sets a scene of statuesque remembrance along Monument Avenue, a place famously lined with Confederate memorials.

Updike describes the cause of the Confederacy as "lost but lingers in the faintly defiant dignity" of the city's architecture and monuments. The reference to the "pale-gray, Doric dollhouse" from which Jefferson Davis, the Confederate president, operated evokes the grandeur and formality of the Confederate capital. Davis is referred to as a "conscientious Satan," a nod to his leadership in the Confederacy's rebellion against the Union, which Updike characterizes as "a damn good try." This phrase reflects a certain grudging respect for the effort, despite its moral and ethical implications.

The poem shifts to describe the broader cityscape, noting "Brick graciousness prevails" as a testament to Richmond's enduring architectural beauty. Across the James River, "wood houses hold black pensioners," acknowledging the African American community living there, juxtaposing the city’s grand Confederate imagery with the lived realities of its residents.

Edgar Allan Poe, a central literary figure associated with Richmond, is mentioned as his ghost "haunts a set of scattered tombs." Richmond's Poe Museum is described as exposing "his quills, a model of his muddy city, and an etching of, wry-necked in death, Virginia," referring to Poe's wife. These artifacts serve as cultural touchstones, connecting visitors to Poe’s tragic and macabre aesthetic, which mirrors the city’s own complex narrative.

Updike’s "Richmond" is a layered, nuanced poem that delves deep into the city's Confederate history and its cultural significance. Through vivid imagery and thoughtful references, the poem reflects on how the past permeates the present, shaping perceptions and experiences in a city marked by its role in American history. Updike captures the tension between beauty and tragedy, reverence and regret, crafting a poetic exploration of Richmond's identity as a city forever entwined with the stories of those who have walked its streets.


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