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ITALIAN ECLOGUES: 5, by             Poet Analysis     Poet's Biography

In "Italian Eclogues: 5", Derek Walcott weaves together a rich tapestry of images and metaphors, blending nature, architecture, and literary tradition to reflect on poetry, loss, and memory. This poem, like others in the "Italian Eclogues" series, is meditative and elegiac, focusing on the relationship between the individual and the greater forces of nature, history, and art. Through vivid imagery of cedars, oceans, and ancient landscapes, Walcott contemplates the role of the poet and the enduring legacy of those who have passed, particularly paying homage to fellow poets and literary figures.

The poem begins with an image of a "colonnade of cedars," creating an architectural metaphor that extends throughout the piece. The "arches" of the cedars frame the ocean, which "drones the pages of its missal," suggesting the relentless, ritualistic motion of the sea as a kind of spiritual text. The cedars are described as letters "embroidered like a breviary," a prayer book, implying that nature itself is a sacred text, inscribed with meaning and history. This connection between nature and spirituality is central to the poem, as Walcott explores the ways in which the natural world serves as a vessel for memory and artistic expression.

The "echoing architecture of stanzas" that the speaker hears evokes a sense of continuity between the past and present, linking the poet's work to a long tradition of literary and spiritual devotion. The reference to St. Petersburg, with its rich cultural and architectural heritage, adds a layer of historical depth to the poem. The image of the "amplified cantor"—a figure of religious devotion—suggests that poetry, like prayer, is a form of worship, a way of reaching towards something greater than oneself.

Walcott contrasts prose and poetry through the metaphor of a squire and a knight, respectively. Prose, as the "squire of conduct," is grounded in practicality and duty, while poetry is the "knight" who courageously faces challenges, likened to a "picador" in a bullfight. This metaphor emphasizes the heroic and often difficult nature of poetry, as the poet must confront the "flaming dragon" with only a "pen's lance." The image of the poet being "almost unhorsed" but remaining steadfast in the saddle captures the resilience and dedication required to engage in the poetic craft.

The speaker then reflects on the influence of Wystan (W.H. Auden) and the Roman tradition on the subject of the poem, likely a fellow poet or mentor. The description of the subject’s poetry as having "a profile...Roman and open" suggests a classical elegance and clarity, while the reference to a "minor Caesar" who prefers "a province of distance" implies a kind of modesty or retreat from the grand arenas of public life. This retreat is linked to a sense of duty, though "obscured by dust," a metaphor for the passage of time and the fading of recognition.

As the poem progresses, the speaker is "lifted above the surf’s missal, the columned cedars" and enters a more transcendent realm. The image of drifting "over books of cemeteries" to the Atlantic speaks to the journey of memory and grief, as the speaker moves from the physical world to a more metaphysical space. The speaker imagines himself as an eagle, symbolizing strength and freedom, carrying the "acorn of your heart"—a symbol of life and potential—towards Russia, a nod to the poem’s invocation of St. Petersburg and perhaps an allusion to Joseph Brodsky, the Russian poet Walcott often admired.

The poem culminates in a moment of elevation and transformation, as the "speck widens with elation, a dot that soars." This final image suggests that through poetry and memory, the subject is lifted beyond the confines of mortality, becoming part of something larger and more enduring. The "dot" that soars into the sky is both a literal and metaphorical representation of the poet’s spirit, transcending time and space.

In "Italian Eclogues: 5", Walcott explores the themes of memory, artistic legacy, and the relationship between the natural and spiritual worlds. The poem is rich with classical allusions and architectural metaphors, blending the physical landscape of Italy with the emotional landscape of loss and remembrance. Through its intricate imagery and meditative tone, the poem reflects on the power of poetry to both honor the past and transcend the limitations of the present, offering a vision of continuity and transformation.


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