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Classic and Contemporary Poetry: Explained

THE HERMIT, by             Poet Analysis     Poet's Biography


"The Greek Ships" by Robert Bly is a poignant reflection on loss, the acceptance of fate, and the inherent beauty and tragedy of striving despite inevitable failure. The poem utilizes the metaphor of Greek ships, laden with wine and doomed to sink, to explore themes of mortality, artistic creation, and the human condition. Bly intertwines historical imagery with existential contemplation, suggesting that there is a certain nobility in embracing our limitations and the ultimate end that awaits us all.

The opening stanza sets the tone with an image of desperation and survival, as fish trapped in drying water holes "moisten each other faintly." This scene metaphorically represents the human struggle to provide comfort and sustenance to one another in the face of diminishing resources and hope. The advice that follows, "it's best if they lose themselves in the river," serves as a call to surrender to the natural course of life, to merge with the greater flow rather than cling to the isolated puddles of individual existence.

Bly’s reference to the Greek ships sinking with their cargoes of wine symbolizes the richness of life's experiences, including its pleasures and joys, that ultimately succumb to the inevitability of decline and dissolution. The idea that it might be "best to head for the bottom" if one cannot reach port reflects a philosophical resignation to failure, but also a recognition of the depth and complexity that can be found in acknowledging one's fate.

The poem subtly shifts to explore the role of the artist and the nature of artistic expression. The mourning dove, whose song is never quite direct, mirrors the poet's own approach to articulating pain and suffering—a theme further developed through the mention of T.S. Eliot and his tormented creativity under "a bare light-bulb." Eliot's acceptance of his "punishment at birth" underscores the burden of consciousness and the existential guilt associated with creation and existence.

The imagery of the sitar player searching through the mundane for "the suffering on the underside of a leaf" captures the artist’s quest to find and express the universal in the particular, to reveal the profound truths hidden in everyday life. This relentless search is both a curse and a calling, leading the artist to explore the depths of human experience and emotion.

Bly concludes the poem with an invitation to embrace vulnerability and failure, to "throw your good name into the water." This act symbolizes the release of ego and the acceptance of one's true self, flawed and transient. The voices calling "from a hundred sunken ships" represent those who have risked everything for love, passion, or truth, acknowledging the shared human journey toward oblivion but also the transcendent beauty found in our endeavors, however doomed they may be.

"The Greek Ships" is a meditation on the art of living and creating in the shadow of mortality. It suggests that there is dignity in facing our end with open eyes, recognizing the value in the act of creation itself, and finding solace in our shared human fate. Through this work, Bly articulates a profound acceptance of life's impermanence, urging readers to find meaning and beauty in the journey, regardless of its outcome.


"The Hermit" by Robert Bly is an evocative poem that explores themes of solitude, introspection, and the journey toward understanding and acceptance of one's place in the universe. Through the figure of the hermit, Bly delves into the profound depths of human consciousness and the existential quest for meaning amidst the vastness of existence.

The poem opens with the image of darkness "falling through darkness," a powerful metaphor for the layers of unknowing and mystery that envelop the human experience. The hermit stands as a solitary figure against this backdrop of infinite darkness, a symbol of the individual soul navigating the complexities of life and seeking enlightenment.

The storm behind the hermit, with "grass blades... leaping in the wind," evokes a sense of dynamic movement and change, contrasting with the hermit's stillness and stability. This juxtaposition highlights the hermit's detachment from the external turmoil of the world, suggesting a state of inner peace and equilibrium achieved through contemplation and withdrawal from the superficial distractions of life.

The darkness gathered "in folds / About his feet" further emphasizes the hermit's immersion in the unknown, his connection to the elemental forces of nature and existence. Yet, despite the overwhelming presence of darkness, the hermit is described as "perfectly whole," indicating a completeness and integrity of being that transcends the external conditions of his environment.

The assertion that the hermit "is no one" paradoxically elevates his significance, suggesting that in relinquishing personal identity and ego, he has attained a universal essence. This theme of anonymity and universality resonates deeply with spiritual traditions that emphasize the dissolution of the self as a path to enlightenment.

The poem culminates in the transformative vision of the hermit, whose presence instills a sense of calm and acceptance in the observer. The mention of "joyful death" is striking, implying that the ultimate surrender to the natural cycle of life and death is not to be feared but embraced as a liberating release from the confines of individual existence.

"The Hermit" is a contemplative piece that invites readers to reflect on the value of solitude, introspection, and the pursuit of deeper understanding. Through the figure of the hermit, Bly presents a model of being that is at once grounded in the earth and reaching toward the infinite, a beacon of tranquility and wisdom amidst the chaos of the world. This poem serves as a reminder of the profound connections that can be forged in the silence and solitude of the human heart, urging us to seek the light that dwells within the darkness.


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