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THE GREEDY CHILD, by             Poet Analysis     Poet's Biography

"The Greedy Child" by Stephen Dobyns is a darkly humorous and vivid portrayal of insatiable desire and consumption. Through the metaphor of a maid's baby reaching for fruit, Dobyns creates an allegorical narrative about the nature of greed and the consequences of unchecked appetite. The poem juxtaposes the innocence of a child's yearning with a disturbingly intense compulsion to absorb and possess.

At the forefront of the poem is the image of a baby with "thick fingers" clutching the mantle, symbolizing the initial grip that desire has on the individual. The baby's fixation on the fruit in the "glass and silver bowl" is more than mere hunger—it is an existential craving, a desire to become one with the object of his want. This merging of identities, the baby wishing to absorb the fruit into his "fat transparent body," speaks to a universal human impulse to assimilate that which we find beautiful or desirable, to the point of losing ourselves.

The setting is richly described, with a "glass of white wine" and a "nearly full bottle" reflected in a "baroque mirror with an ornate gilt frame," signifying opulence and excess. However, the baby is oblivious to this grandeur; his focus is solely on the object of his immediate desire. The baby's envisioned force, pulling the bowl toward him, suggests a world that caters to his wants, a fantasy where longing alone can bend reality to his will.

As the poem progresses, the scene escalates into surreal chaos. The baby's yearning becomes a literal force of nature, causing physical objects to be pulled toward him. The progression from "bits of paper" fluttering to "table and chairs crash[ing] to the floor" amplifies the destructive power of greed. The "Persian carpet" popping its tacks and the "whole house" being sucked inward serve as hyperbolic illustrations of the way greed can consume not just the individual, but everything around them.

The final image of the baby sitting on a floor as "gleaming and polished as a plate licked clean" is particularly evocative. It suggests emptiness after consumption, the hollowness that follows the fulfillment of greed. The baby, having absorbed his surroundings, remains unsatisfied, "bangs his little fists" and continues to "suck and suck," aiming to ingest "all the rich and tasty world." This never-ending cycle highlights the void that greed can never fill, no matter how much is consumed.

Dobyns' poem is a powerful commentary on the nature of desire and the human condition. "The Greedy Child" serves as a cautionary tale about the perils of avarice and the destructive potential of wanting too much. It exposes the paradox of greed: in attempting to devour the world, one risks being left with nothing but an insatiable emptiness. Through this allegory, Dobyns not only entertains with imaginative imagery but also invites reflection on the moral and existential implications of our own appetites.


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