Poetry Explorer- Classic Contemporary Poetry: Explained, MONUMENT, by NATASHA TRETHEWEY

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Classic and Contemporary Poetry: Explained

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"Monument" by Natasha Trethewey is a profound meditation on memory, loss, and the relentless passage of time that inevitably alters landscapes both physical and emotional. The poem begins with the minute observation of ants "busy beside my front steps," but this seemingly small detail broadens into an expansive reflection on the very act of remembering and forgetting. The ants work tirelessly to build their hill, just as memories build upon each other to create the internal landscapes of our minds.

Much like the ants, the act of remembering is portrayed as a constant shifting and displacing. There is a poignant sense of transience in the phrase, "like everything I've forgotten-disappear into the subterranean." Here, forgetting is not merely an absence but an active "displacement," a burying of memories that make room for the new but simultaneously shape the old into something almost unrecognizable.

The poem then shifts to a cemetery scene, blurring the line between the personal and the universal. The focus on the speaker's mother's grave covered in ants brings the scale back from the grand existential concerns to the acute personal grief. Just as the ants "streamed in and out like arteries," memories and feelings circulate, never static. The tiny hill of red dirt above her "untended plot" mirrors the hill being constructed by the ants in the first stanza, connecting the two disparate landscapes through the motif of ceaseless industry and change.

The "red dirt" carries a double significance. On one level, it's the very material of the earth, the primal substance to which all life will eventually return. On another level, it symbolizes the rawness of emotional wounds, unhealed and poignant. These ants are reminders of "what I haven't done," a reflection of the speaker's own guilt or feelings of inadequacy in caring for the memory of her mother.

This sense of guilt culminates in the vivid metaphor of the mound as "a blister on my heart," a painful, unignorable sign of inner emotional turmoil. In describing the mound as "a red and humming swarm," the poem encapsulates the urgency and persistence of memory and grief; they are always there, humming in the background, shaping and reshaping the contours of our emotional landscape.

The term "Monument" in the title is ironic, as it is traditionally associated with grand, permanent structures built to commemorate something or someone. However, here the monument is ever-changing, humble, and natural. It's a mound of dirt, transient yet in a state of constant renewal, much like memory itself.

Natasha Trethewey's "Monument" serves as a poignant reminder that memory is not a static repository but an active, evolving landscape. It points out that the monumental exists not only in stone and plaques but in the fragile, relentless act of remembering itself. Even in its minutiae-like the ants-we find the immense weight of existence, the enormity of what has been lost and what endures.

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