|
Classic and Contemporary Poetry: Explained | |||
Edward Field's poem "Mae West" is a vibrant tribute to the iconic actress and performer, celebrating her unapologetic confidence, independence, and defiance of societal norms. By focusing on West's distinctive persona, Field explores themes of self-empowerment, individuality, and societal expectations, all while capturing her unmistakable allure. The poem opens with a vivid image of Mae West's unmistakable presence: "She comes on drenched in a perfume called Self-Satisfaction / from feather boa to silver pumps." This description immediately conveys West’s confidence and unique style, encapsulating her bold persona. The "perfume called Self-Satisfaction" suggests that she radiates self-assurance in everything she does. Field emphasizes West's independence in matters of love and admiration: "She does not need to be loved by you / though she'll give you credit for good taste." Mae West's lack of need for external validation contrasts sharply with the dependency often portrayed in female characters. While she appreciates admiration, she remains unwavering in her self-worth: "Just because you say you love her / she's not throwing herself at your feet in gratitude." Field juxtaposes West's self-assured persona with other stars, who often reveal their insecurities through emotional displays: "Every other star reveals how worthless she feels / by crying when the hero says he loves her." In contrast, West "takes it as her due," fully aware of her worth and talent: "she knows she's good." This confidence is further highlighted in her expectations: "She expects the best for herself / and knows she's worth what she costs / and she costs plenty." West’s enjoyment of her admirers is portrayed with humor and a playful tone: "She enjoys her admirers, fat daddy or muscleman, / and doesn't confuse vanity and sex, / though she never turns down pleasure, / lapping it up." Her ability to differentiate between vanity and sex reveals her practicality and clarity regarding relationships. The poem explores West’s remarkable self-satisfaction and enjoyment of life: "Above all she enjoys her self, / swinging her body that says, Me, me, me, me, / Why not have a good time?" Her unapologetic pleasure-seeking is presented without judgment, reinforcing her autonomy: "As long as you amuse me, go on, / I like you slobbering over my hand, big boy— / I have a right to." Field conveys that West's confidence is not an act but a genuine expression of her character: "Most convincing, we know all this / not by her preaching / but by her presence—it's no act." Her every word, gesture, and movement "spells Independence," revealing her authenticity and self-assuredness. The poem concludes with a striking observation about those who struggle to embrace their individuality: "And we who don't / can only look on, astonished." This closing line contrasts Mae West's independence with the self-doubt that many people face, suggesting that her confidence and self-empowerment are both admirable and enviable. Structurally, "Mae West" is written in free verse, allowing Field to adopt a conversational tone that mirrors Mae West’s unapologetic directness. The straightforward language enhances the poem's clarity and impact, while the imagery and metaphors vividly capture West’s persona. Overall, Edward Field's "Mae West" is a powerful celebration of individuality and confidence. By highlighting West's independence and rejection of societal norms, Field crafts a poem that invites readers to reflect on their own self-worth and the importance of embracing one's unique identity. The poem serves as a tribute to Mae West’s legacy and an encouragement to celebrate and enjoy oneself without hesitation or compromise.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...THE GENERAL PUBLIC by STEPHEN VINCENT BENET AN ALPINE PICTURE by THOMAS BAILEY ALDRICH CHARLESTON by PAUL HAMILTON HAYNE IN THE PINK' by SIEGFRIED SASSOON THE SHADED WATER by WILLIAM GILMORE SIMMS LINES ON THE DEATH OF PHILIP MEADOWS by ANNA LETITIA BARBAULD SONNETS OF MANHOOD: 12. VENUS by GEORGE BARLOW (1847-1913) |
|